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Modern Master

With his appointment as Director of London’s Tate Modern, Chris Dercon joins the establishment he once challenged. Alice Rawsthorn meets the art world’s newest power player.

continued (page 4 of 4)

Dercon is elusive about his plans. “Wait and see,” he said. But here are some possible clues. His favorite artists? Both Americans: Richard Tuttle and David Hammons. Favorite buildings? Herzog & de Meuron’s Schaulager in Basel, Switzerland; Diller Scofidio + Renfro’s Institute of Contemporary Art in Boston; and UNStudio’s Mercedes-Benz Museum in Stuttgart, Germany. Favorite museums? New York’s MoMA, the Reina Sofía in Madrid, the Kunst­halle in Basel, and the National­galerie in Berlin.

“But for me, museums don’t necessarily have to be museums,” he added. “One of my favorite cultural institutions is the Cinémathèque in Tangier. Another is the National Institute of Design in Ahmadabad, India. Incredible! A museum, a school, a library, a marketplace, and an archive. To plan a new museum, we need to look at them and at science labs, factories, and archives. We need to be daring and courageous and to take risks—really interesting risks.”

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