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Artistic License

On the eve of a career-spanning retrospective at New York’s Guggenheim, the ever-elusive Maurizio Cattelan—with a little help from a friend—explains himself and his art. Sort of.

continued (page 5 of 5)

So I thought, Why not erect the Hollywood sign here, on a Sicilian refuse dump, bringing hope and fantasy to a part of the world that is desperately in need of both? I decided that my Biennale work would be a one-to-one scale model of that famous brand name, relocated to Palermo. It was a lunatic undertaking, but I figured that if I could make people forget about violence for a little while just by transposing a symbol from one place to another, the experiment would be worthwhile. When I first saw that H go up against the sky, for a moment even I was confused about what world I was in: Had I imported a bit of L.A. to ­Sicily—or beamed the whole city of Palermo over to California?

Adapted from Maurizio Cattelan, Autobiografia Non Autorizzata, by Francesco Bonami, published in Italy by Arnoldo Mondadori Editori, copyright 2011.

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