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What a Mess
“It’s Miss Marple meets Catherine Deneuve,” joked Eugene Souleiman of the lived-in, mussed-up tufts he created for Yohji Yamamoto, which he cryptically described as both “baggy and sensual.” Serge Normant teased hair into equally seductive wavy masses to complement L’Wren Scott’s signature rock ’n’ roll aesthetic. “That raw texture always feels sexy,” he gushed. At Fendi, Kamo’s tousled spikes stood on end, which lent a punk edge to the collection’s sheer separates.















