continued (page 9 of 9)
According to Brolin, McCarthy has since seen a final print of No Country with friends from the Santa Fe Institute. “Very good movie there,” he told the actor.
How two cerebral New Yorkers like Joel and Ethan Coen could have such a firm grip on the tropes and manners of a hypermasculine world is not an easy question to answer, but they have managed to find yet another way to make the western fresh, perhaps by embodying the frontier virtue of taciturn competence. Brolin teases that there is more talking in the movie—which is not a lot—than there ever was on set. Which naturally suited Jones just fine.
Comments
Post a Comment