“I want to do a silent film, even though it’s out of
fashion now.” DaCosta, who studied dance as a child, has an innate
stillness and elegance that would be ideal for the cinematic intensity
of images without words. In 2009’s The Messenger she played an army wife
who has lost her husband, and her grief went beyond speech. Similarly,
when Mark Ruffalo tells her character in The Kids Are All Right that he
wants to end their relationship, the shock and pain are registered in
her eyes. “I grew up watching a lot of old stuff,” DaCosta says. “The
first movie I remember seeing was The Red Balloon, which is silent, and
it made me feel things that I’d love to make other people feel.”
September 2010