“For the most part, it’s great having my kids view the world so
differently than I did,” says Precious director Lee Daniels of his
twins, Clara and Liam, 14, who were born to his brother and his
girlfriend and adopted by Daniels and his then partner, casting director
Billy Hopkins, when they were three days old. “I tell them, ‘I know it’s
all “Kumbaya” with your friends, but when you get in that workforce,
you’re going to see what it’s like as a black person.’” The son of a
policeman, Daniels grew up in a tough West Philadelphia neighborhood,
where he helped raise his siblings after their father was shot to death
when Lee was 13. “I didn’t want to have kids,” says Daniels, whose
children divide their time between Hopkins’s home on Manhattan’s Upper
West Side and Daniels’s midtown apartment. “I was just beginning to make
money and have fun with my life, and I didn’t want to grow up, but then
the universe said ‘Time!’ I was forced to get my shit together because I
wanted them to look up to me.” He has long solicited his children’s
advice, editing his films at home in the living room. “They’ll say to
me, ‘That’s not real, Dad,’ even with the most graphic subject
matter—pedophilia, incest, abuse.” But these days, he admits, his kids’
hopeful outlook is nudging him toward lighter fare. “Now I want to do
things for them. And they want X-Men, Spider-Man— action movies.”