“There’s always a sense of street culture in my work,” Philo says of the model in an oversize masculine leather coat and drainpipe pants, and the girl with a mullet who might have been plucked from a Suzi Quatro concert circa 1974. “Most street trends are British, and I’m very, very proud to be British. I like the sense of belonging here.” British tribalism—in particular, that of the streets of West London, where she grew up—has always influenced Philo. As she says, “Finding a uniform, a place to fit in, a clan you identify with—you wear the same clothes, you listen to the same music, go to the same clubs. It’s that period of leaving home and finding your own family.” Philo has been able to transfer that sense of exclusive inclusiveness to Céline.
Céline’s leather coat, wool and leather pants, and shoes from fall 2011.
Photography by Willy Vanderperre
Styled by Jane How