Frieze New York 2016: Getting Down to Business on Randall’s Island
Artist provocateur Maurizio Cattelan may have occupied much of the breathless conversation at the Frieze New York fair by installing an actual donkey in a booth, but it was still business as usual at Wednesday’s VIP preview, where dealers and collectors clearly outnumbered the livestock. Get an all-access look at the art of the deal here.
Photo by Jonah Rosenberg.
Alex Da Corte, “Free Money,” 2016. Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Maurizio Cattelan, “Enter at Your Own Risk—Do Not Touch, Do Not Feed, No Smoking, No Photographs, No Dogs, Thank You,” 1994/2016. Photo by Jonah Rosenberg.
Eduardo Navarro for Frieze Projects. Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Jos de Gruyter and Harald Thys, “I Piccoli Pupazzi Sporchi di Pruppà (The Small Dirty Puppets from Pruppa),” 2015. Gavin Brown’s enterprise New York. Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Anthea Hamilton, “Kar-A-Sutra” for Frieze Projects. Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Betty Woodman, “Aeolian Pyramid,” 2001. Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
David Altmejd, “Le désert et la semence,” 2015. Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Laurie Simmons, “The Love Doll/Day 11 (Yellow),” 2010. Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Anthea Hamilton, “Kar-A-Sutra” for Frieze Projects. Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
Photo by Jonah Rosenberg.
