Parties » Saint Laurent On Screen
  • Saint Laurent On Screen - Pierre Niney and Jalil Lespert
  • Saint Laurent On Screen - Scout Willis
  • Saint Laurent On Screen - Martha Stewart
  • Saint Laurent On Screen - Elisa Sednaoui
  • Saint Laurent On Screen - Maryna Linchuk
  • Saint Laurent On Screen - Condola Rashad
  • Saint Laurent On Screen - Monique Pean
  • Saint Laurent On Screen - Marie de Villepin
  • Saint Laurent On Screen - China Chow, Will Cotton, and G.K.
  • Saint Laurent On Screen - Lindsay Ellingson
  • Saint Laurent On Screen - Richard Phillips and Liza Thorn
  • Saint Laurent On Screen - Louisa Krause
  • Saint Laurent On Screen - Sia and Lucy Punch
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    Pierre Niney and Jalil Lespert. Photo by

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    Scout Willis. Photo by

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    Martha Stewart. Photo by

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    Elisa Sednaoui. Photo by

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    Maryna Linchuk. Photo by

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    Condola Rashad. Photo by

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    Monique Pean. Photo by

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    Marie de Villepin. Photo by

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    China Chow, Will Cotton, and G.K. Photo by

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    Lindsay Ellingson. Photo by

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    Richard Phillips and Liza Thorn. Photo by

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    Louisa Krause. Photo by

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    Sia and Lucy Punch. Photo by

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Saint Laurent On Screen

The new film premiered before a stylish crowd in New York

On Monday night, Yves Saint Laurent, a biopic that follows the designer (masterfully played by 25-year-old Pierre Niney) and his confidante, lover, and business partner, Pierre Bergé (Guillaume Gallienne) from their first encounter to the very end, premiered before an entranced crowd, including Karlie Kloss, Scout Willis, Elisa Sedanoui, and Stephanie March. Although Bergé has been clear in his support of the film, he was not present, leaving the film’s director Jalil Lespert to speak on his behalf.

“[Bergé] didn’t want to talk about the dark side [of their relationship],” explained Lespert before the film’s screening. “As a director, I wanted to show the dark side, but also how it was important for Yves Saint Laurent— with these psychological problems— to fight against them by creation.” And a dark side it was: Saint Laurent struggled with severe anxiety and depression throughout his career—from his early days as Christian Dior’s assistant, through the drug-fueled ‘70s when he designed the iconic Mondrian dress and female tuxedo, to his solitary last years. The somber mood of the film lifted as guests headed to the after party at Beautique—a new venue with disco-era décor reminiscent of the designer’s heyday—to clink glasses and toast a beaming Niney.

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