One of her first shoots, with Jamie Morgan. Courtesy of the photographer.
One of her first shoots, with Jamie Morgan. Courtesy of the photographer.

Naomi Campbell once said, took to it like a pro. Within a year, she was posing for Steven Meisel, dining at her “papa” ­Azzedine ­Alaïa’s house in Paris, sharing a New York apartment with Christy ­Turlington, and embarking on a high-flying career that has been marked by iconic images and more than a little drama. In Naomi ­Campbell (Taschen, out early next year), a two-volume monograph spectacularly packaged in a bust of her likeness by the British sculptor Allen Jones, the fashion legend recounts through words and photographs her extraordinary life—or most of it, anyway. Less-glamorous moments, like her assaults on both her personal assistant and her housekeeper with cell phones and her testimony before a war crimes tribunal at the trial of the former Liberian president Charles Taylor (alleged to have given her blood diamonds) have been glossed over. But, then, la Campbell, who returned this season to the hit show Empire as the conniving cougar Camilla Marks, is nowhere near done with her story.