Results for Fashion Category

Vintage clothing gurus on shameless designer copies, mothballs & the Willis kids

blog_cheapjacks_03.jpgThe New York vintage shop Cheap Jack's has existed in many incarnations since its opening back in 1975.  From the tiny First Avenue storefront it first called home to the gargantuan Union Square space it occupied for 25 years to its current location just south of Macy's, Cheap Jack's has remained a key fashion resource for scores of designers and fashion hounds. It-model Coco Rocha is a regular for vintage duds; Michael Kors has been spotted snapping up classic Fifties and Sixties dresses; and last summer, Thierry Mugler stopped by to pick up clothes that inspired his costumes for Beyonce's recent tour. Just recently—according to owners and married couple Mona and Jack Markus—Giorgio Armani and his team dropped in to shop.

blog_cheapjacks_04.jpgSo designers are always stopping by?
M: Yes, the designers come three times a year. They get "inspired."

So, is the influence from what you sold them to what's on the runways obvious to you?
M:  I could tell you stories--and I won't. [Laughs] Sometimes they don't even change a stitch. Not one stitch. And a dress that they would buy for $175 will end up in the pages of Vogue for $6,000 and it's the exact same dress but with fabrics and workmanship that isn't as good, but it has their name on it.

Does that annoy you?
M: It does, but there really isn't anything I can do about it. So it's best just to be grateful for the business.

blog_cheapjacks_05.jpgWe hear that Jack had a hand in creating the technique behind stonewashed and acidwashed jeans?
M: In the 70s, Jack literally invented stonewashed jeans. And in the 80s he invented acidwashed jeans.
J: Like all good things, it happened accidentally. There was a chemical reaction—I go, wow. Okay. We start to do it for clientele. Then there was a store owner in upstate New York named Tommy Hilfiger: we advertised what we were doing, and he must have read the papers. He started shipping boxes and boxes of damaged jeans [for us to wash them]. This was back in the days when it was only heavy dungarees, everything was so stiff.

But you didn't patent the process?
M: We were very young.
J: They're certain things you can't patent. It was an accidental chemical reaction that we used for something, and it just did it.

blog_cheapjacks_02.jpgTell us—what should customers look for in a vintage store, or be wary of?
M: When you walk into the store, notice if there's a smell. If there's an odor of mothballs or mustiness, turn around and walk out.

So, everything in your store has been cleaned? How do you clean your clothes?
M: Jack has a degree in dry-cleaning. We're a perfectly green industry, and nothing goes out on the floor until it's absolutely perfect and clean.

Any favorite celebrity sightings?
M: Bruce Willis and his daughters are the nicest people. His kids are lovely—really down to earth.

You had a huge space in Union Square until about five years ago. Why did you leave?
M: Oh, the Batcave! It was 3 floors, 12,000 square feet. Max Brenner [the chocolate restaurant] is there now. The landlord wanted to raise our rent to a million dollars a year. 

Cheap Jack's is located at 303 Fifth Avenue, near 31st Street.

Previously: Five minutes with collectible clothing guru Shannon Hoey of vintage shop New York Vintage.

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Seeking the Unique

blog_lisa_banner.jpgLisa Borgnes Giramonti, whose endlessly chic blog, A Bloomsbury Life, is a longstanding favorite of W editors, is back for a second stint on our Editors' Blog. (See her previous blogs here.) This time around, she's sharing her resolutions for 2010—and the elegant accoutrements she's found to help her achieve them. Check back here every Friday for Lisa's weekly installments.

Part Two: I resolve to seek the unique.

Out with the bland, in with the unusual. I'm not interested in amassing anymore—my post-recession budget and a closet heaving with barely-used "It" bags have put a stop to that. If I'm going to buy something now, it needs to wow me on a visceral level. The following picks pass my 'gut test' because they have either an uber-distinct sensibility or offer a rebellious spin on an old classic.

blog_lisaunique_01.jpg This 1960's medallion necklace from V Vintage is all that's required to turn any outfit into something spectacular. Made of Bakelite enamel with a bamboo-style chain link, it's one of those rare pieces that transcends trends. (And, FYI, it bears more than a passing resemblance to Julia Robert's neckwear at the Golden Globes.) Wear it with anything and let the accolades roll in. vvintage90210.com

blog_lisaunique_02.jpg When I made a long-anticipated pilgrimage to Charleston House (home to the Bloomsbury Group) last year and spotted this deckchair inspired by an old Penguin book cover, I knew I wasn't leaving without one. Purchase a cluster of them and tell your friends that Virginia Woolf, Graham Greene and Raymond Chandler are waiting for them in the back garden. It's—sorry, I have to say it—novel seating. bloomsburystore.com

blog_lisaunique_03.jpgI'm always on the hunt for a beautiful sachet and this satin one featuring a portrait of Mrs. "Liberty of London" fulfills my requirements for style with substance. Supremely silky and filled with aromatic lavender, it imparts an invigorating kick to any closet or drawer. Plus, lavender's calming properties make it a perfect travelling companion: rest it on your eyelids when you're in seat 47J and circling La Guardia airport. liberty.co.uk

blog_lisaunique_04.jpg I'm a Nike Shox girl (I'm addicted to the extra bit of height they give me) but am often left unmoved by the color combinations I see in stores. Problem solved. Their website allows you to completely customize your own shoe, from laces to lining to monogramming. It's a couture freak's dream. Look for me hiking in the Hollywood Hills in my new silvery Stella McCartney-inspired pair. nikeid.nike.com

blog_lisaunique_05.jpg This English game bag was designed for grouse-hunting on a country estate, but I think it's even more stylish as a city hold-all. It has that classic ancestral allure I love—very Brideshead Revisited, no? Made of rubberized cotton and bridle leather trim, it's weather-impermeable and will add some rugged grace to your urban jungle. smithscountrypursuits.co.uk

blog_lisaunique_06.jpg I've been reading a lot of D. H. Lawrence lately so these rustic workers' smocks struck an immediate chord. Made from heavy unbleached linen and dating from the middle to late 1800's, their Jane Birkin-meets-Rupert Birkin sensibility would be perfect with jeans, tousled hair and your favorite leather boots. Plus, it's not very often you get a chance to buy an actual heirloom at high street prices. greenandstone.com

blog_lisaunique_07.jpg Leave it to Dame Vivienne Westwood to transform a symbol of Victorian restraint into an anarchic wallcovering. Her "Cut-out Lace" wallpaper, based on a piece of antique fabric, is both subtle and stunning and would have any wall desperate to be draped with it. It has a prim-punk sensibility, which makes sense—they don't call Viv the Queen Mother of the Sex Pistols for nothing. cole-and-son.com

blog_lisaunique_08.jpg I've been searching for interesting outdoor seating for ages, so when I discovered these cast-stone garden poufs from Harbinger LA, I did a double-take. Seriously, how genius are they? I adore the pleated sides and witty tufted details and can envision scattering them around my pool area to create trompe l'oeil seating that you don't have to cover when it rains. Even better, they come in 25 colors. Calm yourself. harbingerla.lucasstudioinc.com

blog_lisaunique_09.jpg There's no mincing words with this table lamp: its vintage modern glamour has me at hello. The hand-rubbed brass design, meant to evoke a derrick tower, is a triumph of machine age simplicity and reminds me of a time when Hollywood was young and oil was king. Industrial, meet sophistication. circalighting.com

blog_lisaunique_10.jpg Who says dish towels can't whet your appetite as well as dry the dishes? These ones from Julie Haslam do both. Inspired by her grandmother's handwritten recipe book, she created a range of dish towels featuring the actual cooking instructions from her Nan's most-beloved meals. Hot cross buns, anyone? juliehaslam.co.uk

Join W magazine on Facebook and we'll let you know when Lisa's next installment to the Editors' Blog is up.

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The Couture Report: Spring 2010 (Part 2)

blog_2010couture2_01.jpgVALENTINO: On the walls of the show space, the designers projected video animations of twirling trees by American installation artist Jennifer Steinkamp. They smudged “Avatar” blue makeup over models’ limbs and eye sockets. All of this underlined their concept of “virtual Eden” and a wish to create a sense of “magic and fantasy,” as Piccioli put it during a preview. “We don’t think it’s a moment to be safe.” ... click to continue

blog_2010couture2_02.jpg JEAN PAUL GAULTIER: Gaultier has a knack for bending concepts to suit his design signatures, which speaks to the strength of his handwriting. The latest masculine-feminine hybrid was a splendid, gold-buttoned naval pantsuit, the jacket an ingenious marriage of bustier and bolero. Corset details were worked into strong-shouldered jackets, including a tailcoat—a mini trend this high fashion week... click to continue

Click here to read Part 1, featuring Chanel, Christian Dior, Givenchy and Giorgio Armani Privé

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The Couture Report: Spring 2010

Thumbnail image for blog_2010couture_01.jpgCHANEL: After creating 53 couture collections for Chanel, what could Karl Lagerfeld possibly do that was completely new for the 54th? Well, for starters, silver. "Not one gold button," he said before the show, raising a finger for emphasis. Black-and-white combos? Gone as well. Navy? Nada. Like the pastel fluorescent columns that flooded the show space with an otherworldly glow, Lagerfeld let color and metallic flashes bring energy and modernism to one of the most enduring status symbols in the fashion universe: the Chanel suit... click to continue

blog_2010couture_02.jpg CHRISTIAN DIOR: Galliano opened the show with a strong tailoring statement based on riding jackets and skirts: the former ending in Edwardian peplums, the latter sprouting volume on one side via pleats or swags of fabric caught at the hip. The gesture of sidesaddle riding was evoked with wind-blown lapels and those elegantly off-kilter skirts. Galliano kept elements of tailoring in the halter dresses and tulle jackets in his cocktail segment. Scattered with delicate and frothy embroideries, they were real beauties.... click to continue

blog_2010couture_03.jpg GIVENCHY: On Tuesday night, Tisci was still a showman, with Ciara, Kanye West and Stella Tennant summoned to witness the spectacle. The 22 looks the designer sent whisking through the Imperial Salon of the Westin Hotel had their moments -- sometimes suave, sometimes a circus. Lara Stone was a vision of Seventies-era Parisian chic in a fluffy, peach feathered bolero fastened with a big gazar bow that trailed over her black Bermudas. The lacquered tuxedos and silk tailcoats that opened the show were distinctive and demonstrated Tisci's tailoring forte... click to continue

blog_2010couture_04.jpg GIORGIO ARMANI PRIVÉ: When Armani takes you to the moon, he goes all the way. A crescent moon served as a backdrop, and the motif reappeared as buttons, brooches, necklaces and evening bags. The fabrics were opalescent, shimmering or sparkling; the colors pale, from ivory and dusty pink to crater black... click to continue

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Five minutes with Guilhem de Castelbajac

blog_guilhem_01.jpgSome people are born with a mission. Talking with Guilhem de Castelbajac, the 30-year-old son of Parisian designer Jean-Charles de Castelbajac, one sees that he’s committed to shaking up people’s awareness about the way they buy their clothes. That’s why De Castelbajac, who studied interior architecture at Pasadena Art Center, near Los Angeles, has decided to launch a line of T-shirts called FOAR.US. Every time a T-shirt is sold, for $35, a full $10 goes to a charity. The T-shirts offer graphic spins on socially-conscious slogans, such as “War’s No Place For A Child.” (His charity partners so far include Women Thrive and The Hunger Project.) Next, De Castelbajac, who is married to actress Alexia Landeau, aims to create more products and partnerships; he is currently designing a bag.

blog_guilhem_02.jpg How long have you been thinking about the FOAR.US project?
From a very early age, I felt concerned by poverty. I felt something was wrong and I spent my life trying to find a way to do something about it.

Why did you launch the project in L.A.?
It’s the capital of Jeans and T-shirts!

What’s the biggest difference between Paris and Los Angeles?
In Paris, everything is beautiful—we know it will still be there when we’ll come back. In LA, it’s the opposite—things are not made to last.

blog_guilhem_03.jpg What’s your next travel plan?
I’d love to live in India with my 2-year old son for a while.

What are the main things you want to teach your son?
Compassion.

Do you consider yourself optimistic?
Yes, that’s the reason why I’m proposing new things. I’m full of hope for the future.

Do you feel politics have the potential to really change things?
I have a hard time with that. I voted for Obama—he seemed full of integrity. Meanwhile he just sent over 30,000 soldiers in Afghanistan.

Did you ever do something that went against your beliefs?
When I was a teenager, between 13 and 16, I spent my summers in Lourdes as a stretcher-bearer. The last year I went, I spent more time having fun and drinking with my English friends than working. When I left Lourdes, I felt ashamed.

Castelbajac's shirts are available at FOAR.US.

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Today's Rising Star Awards

We were already inclined to enjoy Fashion Group International’s 13th annual Rising Star Awards today. The luncheon took place at Cipriani on 42nd Street — just a stone’s throw from our office. But ease of transportation aside, the emerging designer talent was tremendous. Four out of the nine nominees were in our July feature on The New Guard: Matthew Ames, Prabal Gurung, Bibhu Mohapatra and Carly Cushnie and Michelle Ochs of Cushnie et Ochs. “We all kind of know each other,” said Cushnie. “It’s a little reunion.” Ochs, meanwhile, spilled a little info on their upcoming fall 2010 show: the two are doing hats with Albertus Swanepoel and gloves with Hugo & Marie’s Mario Hugo and Jennifer Marie. Expect “intense” embroidery on the latter. (A little Googling on Hugo and Marie, with whom we were admittedly unfamiliar, turned up this shopping site, of artist/fashion collaborations. We’re loving the scarves and the $1,050 Japanese hair pin, featuring spiraling lacquered resin and stainless steel text.)

blog_designawards_h.jpgFrom left: Matthew Ames; Carly Cushnie; Michelle Ochs; Prabal Gurung; Bibhu Mohapatra.

But back to the Awards. A hoarse Nina Garcia — “I had no voice as of two hours ago” — was the keynote speaker and recounted how she landed her first fashion job in the public relations department at Perry Ellis, then designed by Marc Jacobs. Her timing couldn’t have been better; Jacobs was in the midst of working on his revolutionary 1992 grunge collection, which eventually led to his dismissal from the company a year later. “Be yourself, be daring, be bold and make fashion history,” she advised the designers.

blog_risingstar_02.jpgFrom left: Joseph Altuzarra; Peter Hildalgo

As for the winners, the ever-talented Joseph Altuzarra and Peter Hidalgo, in a tie, took home the prize for women's apparel, while Anthony Keegan and Richard Christiansen won men’s honors. The retail nod went to Edward Chai and Paul Birardi’s Odin New York boutique; interior design, Dror Benshetrit; accessories, to Amanda Pearl Brotman and fine jewelry, Monica Rich Kosann. And here’s another scoop: Kosann is currently working on a book on heirlooms and collectibles, out by Clarkson N. Potter this April. And how could we forget the beauty/fragrance awards? Janet League-Katzin of Sphatika International won in the “entrepreneur” category while Juliette Karagueuzoglou of International Flavors & Fragrances did the same in the “corporate” arena. Karagueuzoglou had the added bonus of having her mouthful of a name introduced flawlessly by W beauty director, Jane Larkworthy. “I did my homework,” she quipped.

blog_risingstar_01.jpgFrom left: Carly Cushnie and Michelle Ochs of Cushnie et Ochs; Frédéric Fekkai and Calvin Klein's Francisco Costa.

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Organizing Chaos

blog_lisa_banner.jpgLisa Borgnes Giramonti, whose endlessly chic blog, A Bloomsbury Life, is a longstanding favorite of W editors, is back for a second stint on our Editors' Blog. (See her previous blogs here.) This time around, she's sharing her resolutions for 2010—and the elegant accoutrements she's found to help her achieve them. Check back here every Friday for Lisa's weekly installments.

Part One: I resolve to be more organized.

This impassioned statement came tripping off my lips sometime mid-cocktail on December 31st and since then, I've done zilch to follow it up. As a result, the past few weeks have been slightly shambolic (and not in a tousled, sexy "I'm working it" sort of way). To that end, I've scoured the internet for the best new items that I am hoping will add a little tidiness to 2010.

blog_lisaorganized_01.jpg This gold necklace pen feels very Mad Men meets Nancy Mitford to me, but more important than its soignée, old-school aesthetic is the fact that it promises to eliminate the clumsy fumble through the dark recesses of your purse for the pen you swear you tossed in this morning. (It's even detachable, although if your brain cells are like mine, I don't recommend it.) I’m itching for my next opportunity to sign on the dotted line. catbirdny.com

blog_lisaorganized_02.jpg Speaking of purses, this copper leather transfer bag keeps all your essentials (cell phone, credit cards, money, makeup) in apple-pie order so that switching between purses becomes a five-second operation instead of a chaotic scramble. I'm always forgetting to carry over something I tossed into a side pocket and only realizing it when the officer asks to see my driver's license. Hopefully, those days are now over. joannhuth.com

blog_lisaorganized_03.jpg It takes a visionary to make household chores sexy...and thankfully one has. Designer Celia Birtwell (muse to David Hockney and Ossie Clark) has turned her keen eye onto the domestic front and I recommend we do so as well. Her kitchen drawer kit holds a utility knife, a pair of scissors and a tape measure, all festooned with a colorful, iconic print that will definitely motivate you to measure curtains, trim wallpaper or clip coupons. wheredidyoubuythat.com

blog_lisaorganized_04.jpg Every morning, it's the same routine at my house: 1. Get dressed. 2. Eat breakfast. 3. Embark on frantic search for keys. These crown hooks are a regal solution to a commonplace problem. Mount them side-by-side on the inside of a door near your entrance and you'll have five more minutes to sleep in each morning. hooklady.com

blog_lisaorganized_05.jpg I'm honing in on my quest for the perfect urban bicycle (watch out, Electra Amsterdam Royal 8i) but I've already chosen the perfect willow basket to adorn the front. It's simple, sturdy and an example of classic design at its best. Retire your back-breaking messenger's bag; this is the perfect receptacle to securely corral all your Sunday farmers market goodies and still maintain a ladylike posture. acientindustries.com

blog_lisaorganized_06.jpg Running a close second to my love for England is my love for containers. These Emma Bridgewater nesting tins bring a bit of the beloved sceptr'd isle vibe stateside and are perfect for decluttering your pantry, your closet, your office or anything else for that matter. joannehudson.com

blog_lisaorganized_07.jpg For years, I've resisted buying a laptop case because they were all so, well...boring-looking. As a result, my iBook has been bumped and banged and hasn't always lived to tell. However, leave it to Paul Smith to come up with the perfect cheeky solution. His screen-printed laptop case features vintage speedometers and makes me want to Netflix Le Mans (1971) with Steve McQueen immediately. bloomsburystore.com

blog_lisaorganized_08.jpg My accountant makes me save my receipts, but the heap of crumpled credit card slips gets to be so unmanageable that I end up losing half of them anyway. NeatReceipts scans everything, converts them to instant digital files and even organizes them for you into specific categories so taxes are a snap. Now that’s sexy. store.neatco.com

blog_lisaorganized_09.jpg I have a well-known India fixation, so this mango wood jewelry box solves my tangled necklace situation and satisfies my urge for all things Hindi. Handcrafted in Jodhpur using traditional techniques, each piece is highly labor intensive (which makes the price all that much more remarkable). britishmuseumshoponline.org

blog_lisaorganized_10.jpg Despite the best intentions, it's folly to think that there won't still be days when it's all you can do to get out of bed in the morning. Despair not. These divine-smelling hair powders from Lulu Organics (tuberose, jasmine, lavender and sage, patchouli and amber) refresh your tresses on those mornings when shampoo is not in the realm of possibility. luluorganicnyc.com

blog_lisaorganized_11.jpgFinally, this Rick Owens jersey tunic makes getting dressed a no-brainer. It's elegant, looks seriously comfortable and I can see myself wearing it in any situation, from school carpool to afternoon pitch meeting to dinner at the Chateau Marmont. farfetch.com

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Geneva watch fair dispatch: The gems don't stop

Who knew there were so many ways to say it with diamonds? Here in Geneva, the gems just don't stop.

blog_talya_geneva_01.jpg We went gaga for the latest collection from Gilian, the Turkish jewelry house that's become a favorite in Hollywood. Here, three of their extra large cocktail rings incorporating both ancient and modern techniques of jewelry making.

blog_talya_geneva_03.jpg Cartier's snake cuff—284 brilliant cut diamonds weighing a total of 33.98 carats, plus a 26.82 carat cabochon opal—was a total show stopper (above). And it even tells time. The cuff has a hidden watch face beneath the snake's sparkling crown.

blog_talya_geneva_04.jpg Limelight Jazz Party is the name of Piaget's new jewelry and watch collection, a mostly black and white assortment based on the theme of jazz instruments. Here, a keyboard watch made of brilliant baguette-cut diamonds and black spinel. Very Deco in feeling.

blog_talya_geneva_02.jpg And from the Swiss watch company Jean Dunand, which produces extremely limited pieces each year and is best known for their untraditional watch dial materials, we were riveted by the new Tourbillion Orbital featuring a glowing, fiery opal face.

Previously: Perhaps the most ingenious timepiece from this year's SIHH watch show, from Van Cleef.

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Miuccia at the Met (and other fashion/opera encounters)

blog_operachic_banner.jpgblog_miuccia_opera.jpgMiuccia Prada's favorite opera is Puccini's Tosca (she's been known to sing the most famous arias for her closest friends when she's in the mood). But she had never designed costumes for an opera—until now. On February 23, La Miuccia will premiere her designs for Verdi's Attila at the Metropolitan Opera. (It will mark the first performance of Attila at the Met, as well as  maestro Riccardo Muti's own Met debut). Making the design cognoscenti even giddier, the sets will be designed by Herzog and de Meuron.

It should be noted that not everyone was always so cool about fashion designers being invited by theaters to design costumes. Back in the day when designers were first being offered the position of costumiere, traditionalists like Italian opera director Franco Zeffirelli  made quite a stink. Zefirelli called the collaborations "shameless" (and now, twenty-five years later, Franco's still cranky).

blog_opera_ungaro.jpgLast March, when Emanuel Ungaro was invited to design costumes for a production of Berlioz's Faust in Naples (above), he first had to reassure the public, "Non sono abiti sfuggiti ad una sfilata!" ("There won't be dresses that escaped from a runway show!")

Of course, the opera and fashion worlds are now regular bedfellows. Here, Opera Chic's guide to the fashion world's most passionate opera fans.

The Missonis
blog_operafashion_missonis.jpg
The Missoni clan are among La Scala's most loyal patrons, arriving from the family's via Durini headquarters—often with their adorably stylish grandkids—to their  private palco (box). The Missonis have a long history with opera; in the mid 1950s one of their first big orders came from Biki, the Milanese stylist who dressed Maria Callas. The Missonis have designed costumes for Donizetti's Lucia di Lammermoor and Strauss' Elektra at La Scala, and Mozart's Cosě fan tutte for London's Royal Opera House.

Giorgio Armani
armani_wilson.jpgWhen La Scala was turned into a foundation in the 1990s by the Italian government, Armani joined the board as one of the original directors. The designer even recently wrote an op-ed in Corriere della Sera, the country's leading daily newspaper, to give style advice to opera-goers. One of his long-time partners in crime is American opera director Bob Wilson (above right), who's designed fashion shows for him, as well as his 30-year retrospective exhibition at Milan's Triennale gallery space.

Valentino
valentino_ballet.jpgWhen Valentino Garavani retired three years ago, he said that he was happy to finally have time to design costumes for ballet and for his favorite opera, La Traviata. This past New Year's day, the ballerinas for Vienna's New Year's Concert Gala were tutu'd in Valentino, although unfortunately, his Traviata for the Bolshoi in Moscow has been postponed due to the financial crisis.

Tom Ford
tom_ford_good.jpgThis past summer, the budding film auteur designed the costumes for the Santa Fe Opera's world premiere of Paul Moravec's noir-style opera, The Letter. Ford clothed the singers in understated creamy linens and airy, frothy organza, appropriate for the setting of humid, early 20th century British Malaysia.
 
Viktor & Rolf
viktorrolf_opera.jpgThe Amsterdam-based art school heroes Viktor & Rolf moonlighted as costume designers at Baden-Baden's opera house. Last May, they dressed Carl Maria von Weber's Romantic fairytale Der Freisch˙tz. Vibrant costumes adorned with mountains of Swarovski crystals competed with clean, white costumes (including, of course, lederhosen).

Christian Lacroix
blog_opera_lacroix.jpg Although Christian Lacroix's couture house is (sigh) no more, his longtime commitment to opera hasn't flagged. The designer, who created many of American soprano Renee Fleming's looks for The Met's 2008-09 season (a breathtaking, curve-hugging gold gown for Massenet's Thais, an extravagantly ruffled Act II's "Di Provenza" gown for Verdi's La Traviata), has most recently designed costumes for the premiere of Handel's Agrippina (above and below) at the Berlin Staatsoper on February 4. We can't wait.

Thumbnail image for blog_opera_lacroix_02.jpgLook for regular dispatches from our favorite (and anonymous) opera blogger, the Milan-based Opera Chic, every Wednesday.

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Geneva watch fair dispatch: Time for lovers

blog_watches_poetic.jpgLove and horology go hand in hand. No where is that more in evidence than at the SIHH watch show in Geneva this week, where every watch as a poetic story to tell. The most memorable, of course, are the one-of-a-kind and limited-edition pieces, often the result of months or even years of work. At their simplest, such watches tell time while looking extraordinary (Think lots of diamonds.). At best, they marry form and function, celebrating the craftsmanship of both a skilled watchmaker and an artisan who specializes in age-old art forms like enamel, lacquer and marquetry.

The most stunning example we found this week is the Bridge For Lovers (Le Pont des Amoureux) watch by Van Cleef & Arpels. The round white gold case is set with diamonds, and features a hand-enameled dial and engraving on the back. But its extraordinary mechanical movement is what that sets it apart. The complication, as it's known, is one in which the minute and hour hand move toward one another. The gentleman featured as the minute man moves quickly, while the lady that represents the hour moves slow, guaranteeing that the two lovers depicted on the watch will meet twice a day, once at noon and once at midnight. It may not be the recipe for a lasting relationship, but it is definitely the most romantic timepiece we've ever seen.

Previously: Bye-bye big, bloated watches. At the Geneva watch fair, thin is in!

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