"When I first heard the story about the collection I thought it could be really fun to make the windows into toy theaters based on Jules Verne stories. From there I did extensive research on French and Italian toy theaters from the 18th Century. What makes them so interesting is that they are composed of many layers. What also gives them their charm is how low-fi they are. They are at once child like yet terribly sophisticated."
"This one is Around the World in 80 Days. What makes it exciting is
that the balloon goes back and fourth on a diagonal and the clouds move
up and down. And when it is all combined you get an almost dizzying
effect."
"This one is based on 20,000 Leagues Under the Sea and in this one there
are two layers of seaweed that sway back and fourth and the clam that
opens and shuts. All the audience members in the opera boxes are laser
cut out of paper. I had an illustrator draw them to give them more
eccentric quality."
"Mushroom window is Journey to the Center of the Earth. Here a butterfly
flaps its wings. At the top of each window there is a little vignette
about what is going on below, so here there are little mushrooms painted
on glass."
"Jules' novels were based on fantastic journeys, so this is more a
reference to his fantastic stories than just one in particular. This is
where the primitive theater techniques kind of came about. I was
inspired by Adventures by Baron von Munchausen, the waves move back
and fourth and the ship rocks back and fourth. Van Cleef has a very
unique way of showing their jewelry and so here we molded the sail
around a neck form."
"This is a winter fantasy installation. It was inspired by paintings by
Caspar David Friedrich. His paintings
are about nature but have a real supernatural aspect. Part of Van
Cleef's collection is based on water but the color palate looks more
'frozen' to me, so here we have a neoclassical building covered in ice
and a maze covered in snow. And of course the forced perspective
backdrop."—Cator Sparks


















