An Illustrated (and Very Disturbing) Guide to Contemporary American Culture
Andy Warhol’s work is suddenly all over New York, thanks to a massive new retrospective at the Whitney Museum, and another wave of declarations that the artist is, in fact, now more relevant than ever—due in large part to America’s reality-TV star turned president. This connection has not been lost on the artist Eric Yahnker. His new exhibition, “Factory Reset,” is both a nod to Warhol’s celebrity haven and a clarion call to reset American culture, the current state of which Yahnker describes as “mind-bending surreality come to life”—at least, “through the cracked lens of a 40-something, Jewish, West Coast progressive artist and political satirist.” His works, on view at the Hole, in New York, through December 23, are even more meme-like and uncomfortable than usual. His portrait of Ivanka Trump catching up on Fyodor Dostoevsky’s Crime and Punishment—more specifically, the CliffNotes version—is titled “Foreign Objects,” while his baby-faced take on Mark Zuckerberg, topped off with a blond helmet of hair, has been christened “Zump.” Take a closer look at each pop-culture puzzle, featuring the likes of Dr. Christine Blasey Ford and a Jeff Koons balloon dog, here.
Eric Yahnker, Foreign Concepts, 2018. Pastel on sandpaper. Featured in the exhibition “Factory Reset,” on view at the Hole, in New York, through December 23, 2018.
Eric Yahnker, Makaveli of Freedom, 2018. Pastel on sandpaper. Featured in the exhibition “Factory Reset,” on view at the Hole, in New York, through December 23, 2018.
Eric Yahnker, Kompromat n’ Chill, 2018. Pastel on sandpaper. Featured in the exhibition “Factory Reset,” on view at the Hole, in New York, through December 23, 2018.
Eric Yahnker, Koons Hunt, 2018. Pastel on sandpaper. Featured in the exhibition “Factory Reset,” on view at the Hole, in New York, through December 23, 2018.
Eric Yahnker, Friends & Amigos, 2018. Pastel on sandpaper. Featured in the exhibition “Factory Reset,” on view at the Hole, in New York, through December 23, 2018.
Eric Yahnker, Factory Reset, 2018. Pastel on sandpaper. Featured in the exhibition “Factory Reset,” on view at the Hole, in New York, through December 23, 2018.
Eric Yahnker, Study for a Future Study, 2018. Pastel on sandpaper. Featured in the exhibition “Factory Reset,” on view at the Hole, in New York, through December 23, 2018.
Eric Yahnker, Foxtronaut, 2018. Pastel on sandpaper. Featured in the exhibition “Factory Reset,” on view at the Hole, in New York, through December 23, 2018.
Eric Yahnker, Christine of Arc, 2018. Pastel on sandpaper. Featured in the exhibition “Factory Reset,” on view at the Hole, in New York, through December 23, 2018.
Eric Yahnker, Zump, 2018. Pastel on sandpaper. Featured in the exhibition “Factory Reset,” on view at the Hole, in New York, through December 23, 2018.
Eric Yahnker, Infinity, 2018. Pastel on sandpaper. Featured in the exhibition “Factory Reset,” on view at the Hole, in New York, through December 23, 2018.
Eric Yahnker, Blue Collars, 2018. Pastel on sandpaper. Featured in the exhibition “Factory Reset,” on view at the Hole, in New York, through December 23, 2018.
Eric Yahnker, Spidermen, 2018. Pastel on sandpaper. Featured in the exhibition “Factory Reset,” on view at the Hole, in New York, through December 23, 2018.
Eric Yahnker, Shut Up & Dribble You Must Not, 2018. Pastel on sandpaper. Featured in the exhibition “Factory Reset,” on view at the Hole, in New York, through December 23, 2018.
