Going all out in Las Vegas is hardly ever of note, and yet Damien Hirst, arguably the art world's poster child of going big or going home, had absolutely no trouble making waves there this week, even without making it to the city himself. He most certainly did, however, send someone else in his stead: a 60-foot-tall headless sculpture of just what its title — Demon with Bowl — suggests.

Neither the demon nor its bowl are exactly new to this earth. Hirst created both in 2014 and unveiled them to the public in 2017, as the centerpiece of his massive and polarizing shipwreck of an exhibition at Palazzo Grassi in Venice. Depending on who you ask, "Treasures from the Wreck of the Unbelievable" was either a tragedy or a runaway success; Demon with Bowl was just one of the 189 works Hirst created over the course of a decade which, according to the show's elaborate conceit, are all remnants of a former Turkish slave's art collection, which had been lost at sea until his vessel, The Unbelievable, was "rediscovered" off the eastern coast of Africa in 2008.

Damien Hirst, *Hydra and Kali Discovered by Four Divers*.

Photographed by Christoph Gerigk © Damien Hirst and Science Ltd.

Damien Hirst 'Treasures From The Wreck Of The Unbelievable' Opens To The Public
Opening of Damien Hirst’s new exhibition “Treasures From The Wreck Of The Unbelievable” at Palazzo Grassi in Venice, Italy.

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As possibly the single most expensive art show ever put on by a contemporary artist, unsurprisingly, billionaires can't seem to get enough of it — including, of course, the headless demon at its center, even though it was perhaps the most fake of all the faux pieces of sunken treasure in the collection. The version that the show's billionaire backer François Pinault showcased was in fact a resin cast of the original, which was reportedly too heavy to ship to Venice. That original was not, however, too heavy to ship to Las Vegas's Palms Casino Resort, as was discovered by the hoteliers Frank and Lorenzo Fertitta, who are currently hard at work on a $620 million renovation of the Palms into a "dayclub and nightclub amphitheater-style complex" (the only logical next step for a resort that, in the early aughts, played host to both MTV's The Real World and Paris Hilton's first-ever party/club appearance).

Even though it was already home to a Hirst-designed bar and two-story penthouse suite, it wasn't until Wednesday, when they unveiled Hirst's $14 million sculpture, that the Palms's transformation into a shrine to Hirst was complete, kicking off a weekend of celebrations with performances by Cardi B, Travis Scott, Skrillex, and Alicia Keys. Hirst might have already turned his attention towards another one of his giants, but from the look of Instagram, in Vegas, the marveling at the demon — and its sculpted, barnacle-free abs and derrière — has only just begun.

Related: From "Genius" to "Ugh": The Most Extreme Reviews of Damien Hirst's Massive, Polarizing New Shipwreck of a Show in Venice

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