FROM THE MAGAZINE

Rose Byrne Was Scared to Watch If I Had Legs I'd Kick You, Too

In Mary Bronstein's psychological thriller, Byrne confronts the humor and horrors of motherhood.

Interview by Lynn Hirschberg
Photographs by Tyrone Lebon
Styled by Sara Moonves

Rose Byrne in W Magazine
Rose Byrne wears a Saint Laurent by Anthony Vaccarello jacket, blouse, skirt, belt, tights, and shoes; Graff High Jewelry earrings.
See more from
Best Performances Issue 2026

There are moments in If I Had Legs I’d Kick You when Rose Byrne conveys a broad range of maternal emotions—exhaustion, resentment, rage—with nothing more than a twitch of the eye. Written and directed by Mary Bronstein, the black comedy firmly rejects any sentimental framing of motherhood as Byrne’s character, a therapist with a chronically sick child, slowly crumples under the weight of caregiving at home and at work. “There’s humor, there’s horror, there’s fear, there’s gut-wrenching, raw trauma,” Byrne says of the bracing role, which has earned her critical raves, including a Golden Globe nomination for best actress. “It’s about running from yourself. It’s the biggest demon we have.” For W’s Best Performances Issue, the Australian star reflects on her career, the A-lister who left her starstruck, and her first kiss.

You are well known for comedies like Bridesmaids, but in this film you play a deeply dramatic woman who is unraveling. Was the seriousness of the script an attraction?

It was daunting, it was thrilling, it was radical, and I couldn’t even begin to think where to start with Linda, my character. I had a huge creative task, but it was also a great opportunity. My adrenaline was so high shooting the film. At the end, I felt very disoriented. I was scared to watch the finished film. I kept avoiding it. When I finally saw it, I was speechless.

This is not your first dramatic part.

I did not start in comedies. I was in Troy, as the slave girl opposite Brad Pitt. It was swords and sandals and very serious. Brad was such a sweetheart.

Byrne wears a Balenciaga dress and gloves; Cartier High Jewelry necklace.

And you were in Marie Antoinette, directed by Sofia Coppola.

Yes, that was really fun. I got to wear the costume that Marisa Berenson wore in Barry Lyndon. Shooting at Versailles and wearing that gown was extraordinary. I started auditioning for comedies in my late 20s. I wanted to change it up.

Do you get starstruck?

I met Jack Nicholson once, and that was surreal. It was many years ago at one of those Oscar parties. I just stared at him.

Where was your first kiss?

In the ’90s, in Sydney, where I grew up. It was on the porch of a house party. It was not planned: It was a spontaneous kiss with a very sweet Tasmanian guy. It was kind of perfect, to be honest.

What sign are you?

I’m a Leo. People are very surprised: They never believe that I’m a Leo because I can be retiring. But I always say I’m a sleeping lion.

Style Director: Allia Alliata di Montereale. Codirector: Frank Lebon. Director of photography: André Chemetoff. Hair by Jawara for L’Oréal Professional at Art Partner; makeup by Lauren Parsons for Sisley Paris at Art Partner; manicure by Jolene Brodeur for Dazzle Dry at the Wall Group. Set design by David White at Streeters.