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Raymond Pettibon, “No Title (Lieutenant! There’s our),” 2008.

Courtesy of the artist and Regen Projects, Los Angeles

Raymond Pettibon is relentless. For nearly 40 years, the 59-year-old artist, long associated with the Southern California hardcore punk scene and now based in New York, has presented dark, comic visions of the American id in a proliferation of ink drawings. Lurking amid the works are murderous hippies, beefy baseball players, and gallant surfers—not to mention divisive figures like J. Edgar Hoover and Osama bin Laden. Phrases cribbed from Henry James and William Blake commingle with Pettibon’s own words, creating an effect that is polyphonic, alluring, and unhinged.

“Raymond Pettibon: A Pen of All Work,” his largest exhibition to date (February 8 through April 16), at the New Museum, in New York, examines his literary inclinations in early zines, drawings, and the scripts for the scrappy videos he would begin making in the late 1980s. “We lost count!” Massimiliano Gioni, the museum’s artistic director, jokes when asked how many works will be in the show he co-curated with Gary Carrion-Murayari. Among the 700 drawings—selected from some 5,000—are ones Pettibon made as an 8-year-old child; texts that he had cut from books and saved for later use will also be shown for the first time.

“There’s this idea of him as a guy who just sits down and cranks out these drawings, like an improvising punk rocker,” Gioni says. “But instead, his method is careful.”