Sex and the City 3 Would Have Killed Mr. Big, but the Movie Was Killed Instead

Guess who wasn’t on board with this major plot point.

On Location for "Sex and the City: The Movie" - September 21, 2007
Brian Ach

The Grim Reaper was destined to have a role in Sex and the City 3 one way or another, but the original plan wasn’t the death of the franchise itself. Rather, producers had decided that after 94 episodes and two feature films, there was really only one more place to take the story: the death of Mr. Big. Yes, according to the latest installment of James Andrew Miller’s Origins podcast, multiple sources confirmed that Chris Noth’s Mr. Big (or John James Preston, as no one actually ever calls him) was slated to bite the dust early on in the film, likely from a heart attack in the shower. The film would have tracked Carrie’s grieving period. The plan was to give the series a proper ending more in line with the quality of the television series rather than the product-placement bonanzas that were the movies.

Noth himself was on board with the idea of sacrificing his character in the name of art. According to The Hollywood Reporter, he admitted on the podcast that while he appreciated the series, he hated the “corny stuff” in the movies. (“Like, the whole thing at the end of the movie, in the shoe closet, hated it.”) But Noth heard that the script for the third movie (and, yes, there was one written and ready to go) was “superior.”

There was, however, one member of the classic SATC troupe who wasn’t pleased with the creative direction, and if you’ve been following the saga thus far, you can probably guess that it was Kim Cattrall.

“People close to Kim believe that the script didn’t have a lot to offer the character of Samantha,” Miller says. “They point to the fact that it calls for Mr. Big to die of a heart attack in the shower relatively early on in the film, making the remainder of the movie more about how Carrie recovers from Big’s death than about the relationship between the four women.”

Cattrall always brought surprising depths to Samantha Jones, but even so, you’d have to admit it would be hard to work the character’s trademark quips and proclivities into a movie that ultimately dealt with the death of a spouse. “Honey, I always say the best way to get over someone who is six feet under is to get under…” is actually a line that should not be completed, come to think of it.

In addition to the longstanding tension with Sarah Jessica Parker, Cattrall wasn’t on board with the payday, either. Reportedly, the four main women would have received $1 million apiece up front, and then they’d all split backend profits with the showrunner Michael Patrick King. According to Miller, however, Cattrall found those backend divisions “unequal and unfair.”

Parker, however, attempted to get her castmate on board.

“I had many, many, many conversations with her manager where I was told, ‘She’d love to hear from you,’” says Parker on the podcast. “I e-mailed her, I tried to reach out to her and say, like, ‘We want you part of this. You’re an integral part, of course you are. I hope when you read this script you’ll see the beauty, the joy, the heartbreak in it that I see, that we have seen.’ But I can’t force her to see it, but we did negotiate through the process, and ultimately the studio said, ‘We can’t meet those asks of hers. We’re not able to do it…the economics don’t make sense for us.’ So then it’s over, but that’s not a character assassination, that’s just the way business works.”

Others involved in the series also add that their sense was that, creatively, Cattrall just had no desire to go back to the character again.

It’s all bittersweet. The movie was slated to begin production back in October 2017, and there’s an alternate universe where instead of giving interviews about how the movie died, they’d all be giving interviews to promote its premiere right about now.

It appears that, for now, the second movie will have to be the girl’s last hurrah, but while Hollywood is fine with killing a character like Mr. Big every now and again, it never likes to see a popular franchise die. Hey, if they ever want to reboot it, we have some ideas.

Related: The Kim Cattrall and Sarah Jessica Parker Drama: A History

Sarah Jessica Parker’s Best Curly Hair Moments Through the Years

Sarah Jessica Parker with a short bob in 1979 at Bill Bogg’s Thanksgiving Party at the New York Hilton hotel. She played “Annie” at the age of 14.

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Actress Sarah Jessica Parker lets her hair down in Los Angeles in 1980. She’s also wearing a denim jacket and her eyebrows are roaming free.

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Sarah Jessica Parker with long hair and bangs on the set of “Square Pegs,” a CBS situation comedy. She tops the look off with a bow clip.

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Actress Sarah Jessica Parker poses for a portrait circa 1985. She wears a classic ’80s headband over her curls, plus her eyebrows are out of control.

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No need for a bump-it when you’ve got that kind of volume. Here, Sarah Jessica Parker attends the American Apparel & Footwear Association’s Eighth Annual American Image Awards in New York City.

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Sarah Jessica Parker’s hair defies gravity at the ‘Stand By Me’ Beverly Hills Premiere on August 6, 1986 at the Academy Theatre in Beverly Hills, California.

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Sarah Jessica Parker on the set of “A Year In the Life,” Season 1, which aired on NBC. Her hair is styled into poofy ’80s bangs.


Sarah Jessica Parker attends the “Slamdance” premiere party in 1987 wearing her hair in a half up-do. She’s fully a “dirty blonde” at this moment in time.

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Actress Sarah Jessica Parker and her then-boyfriend actor Kevin Bacon attended the AIDS Benefit for Northern Lights Alternatives in April 1987 in New York City.

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Sarah Jessica Parker wore her hair in an extremely high ponytail, with a scrunchie no less, at the Young Artists United’s One-Year Anniversary Celebration at Ed Debevic’s Restaurant in Beverly Hills, California.

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Actress Sarah Jessica Parker demonstrates how to do sexy messy waves with then-boyfriend David Oliver at the ‘Bull Durham’ screening in Los Angeles in 1988.

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Sarah Jessica Parker wore a top-bun to the the “Ghostbusters II” Hollywood Premiere on June 15, 1989 in Hollywood, California with then-boyfriend Robert Downey, Jr..

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Sarah Jessica Parker proves that even bed head looks great when you have curly hair. Here, she steps out in Hollywood, California in a sweatshirt.

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Sarah Jessica Parker wore a shorter, darker haircut to the 2nd Annual MTV Movie Awards in 1993. She also paired the look with a skin-tight white jumpsuit.

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Sarah Jessica Parker showed off a shorter, darker curly bob at the “First Wives Club” New York City Premiere on September 18, 1996 at Paris Theater in New York City.

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Sarah Jessica Parker at the Sony Loews Theatre in New York City in 1998 wearing her hair in a messy braided up-do with curly strands cascading down.

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Sarah Jessica Parker sported a shorter haircut with Matthew Broderick at the Unicef 50th Anniversary Gala in New York City. She also wore a sequin gown, of course.

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Sarah Jessica Parker does a chic half up-do at the “Godzilla” New York City Premiere on May 18, 1998 at Madison Square Garden in New York City.

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Sarah Jessica Parker wears her hair in a perfect curly pyramid at the 6th Annual Screen Actors Guild Awards in 2000. She also paired the look with a corset suit and flower pin.

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In the final seasons of “Sex and the City,” Sarah Jessica Parker cut her hair into a short bob— a mature move for her and her character, Carrie.

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While Sarah Jessica Parker stopped going curly into her adult years, she still flaunted some glamorous (and blown-out) ringlets at the 2009 Oscars in Hollywood, California.

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Channeling old Carrie Bradshaw from her Sex and the City days, Sarah Jessica Parker debuts a new platinum bob for summer 2017.

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