Tilda Swinton and Honor Swinton Byrne Translate Their Relationship Into Art

The mother-daughter acting duo star in Joanna Hogg's Souvenir films.

Interview by Lynn Hirschberg
Photographs by Tim Walker
Styled by Jerry Stafford

Tilda Swinton and Honor Swinton Byrne in white coats, with gold talons on the cover of W Magazine's ...
Honor Swinton Byrne wears a Schiaparelli robe coat and talons; House of Harlot latex tights. Tilda Swinton wears a Schiaparelli coat, flower pin, and talons; Atsuko Kudo leggings.

Director Joanna Hogg had just two weeks to go until beginning production on her 2019 film The Souvenir when she finally found its star. The perfect Julie, a budding filmmaker based on Hogg herself, was in front of her all along: Honor Swinton Byrne is not only Hogg’s unofficial goddaughter, but real-life daughter of Tilda Swinton, the lifelong friend she’d already cast to play Julie’s on-screen mom. Swinton Byrne, 24, had never acted before—and, in a true rarity for scions, barely even appeared in the press—but her performance quickly scrapped any talk of nepotism. In fact, the film’s sequel, The Souvenir Part II, was one of the most highly anticipated films of this year’s Cannes Film Festival. For W’s annual Best Performances issue, she and Swinton come together again to talk about bringing their mother-daughter relationship to the screen.

You play mother and daughter in The Souvenir. Was it difficult?

TS: Since we are mother and daughter, no. [Laughs] And yes, because we knew each other’s habits, and that made it complicated. We laughed a lot.

These films are the continuation of an autobiographical story of one of your oldest friends, Tilda. In essence, you are playing Joanna Hogg’s mother, and Honor is playing Joanna Hogg herself.

TS: Yes, that’s correct. I knew Joanna’s mother very well. Joanna and I were moved by a woman of a certain generation who has a daughter and who becomes an artist. That was our story. I remember when my own mother would attend one of my more unorthodox premieres—like Orlando or [a] Derek Jarman [production]—and she was always concerned about wearing the proper attire. Should she dress for a dinner party? Would a ball gown be correct? I found that very touching, and we incorporated it into The Souvenir.

Honor, did you have to audition for the role?

HSB: Oh no. I was cast only two weeks before we started the first film.

TS: We had thought about lots of actresses, but then I mentioned Honor, the elephant in the room. Not to describe you as an elephant, darling.

HSB: Oh, mama. [Laughs] I was 19. I had planned to go teach in Namibia, but I postponed. I knew it would be a challenge—that there was no script and we would be creating the dialogue as we went. Joanna made writers of all of us.

TS: So much of our lives went into the film. Most of Honor’s clothes came from my cupboard! I was in Joanna’s actual graduation film [Caprice] in 1986, and Honor wore the same shoes that I wore for that film at her character’s graduation film in The Souvenir Part II.

Swinton wears a Maison Margiela coat, hat, bag, tights, and boots. Swinton Byrne wears a Maison Margiela coat, sweater, culottes, hat, socks, boots, and bag.


And the dogs in both films are your actual springer spaniels!

HSB: Yes! We have five. This year, Snowbear, Dora, and Rosy won the “Palm Dog” at Cannes. We were very proud.

Will there be a third film?

TS: The characters will continue. We like the challenge. We like hills to climb.

HSB: You like hills a little bit more than I do!

Styled by Jerry Stafford; Hair by Ali Pirzadeh for Dyson Hair at CLM; makeup Sam Bryant at Bryant Artists; manicure by Michelle Class for Sally Hansen at LMC Worldwide. Produced by Alex Pasley-Tyler; photo assistants: Tony Ivanov, Antonio Perricone; retouching: Graeme Bulcraig at Touch Digital; senior style editor: Allia Alliata di Montereale; fashion assistants: Peter Aluuan, Angelique de Raffaelle, Philip Smith; production assistant: Grace Keeler; hair assistant: Tommy Stayton; makeup assistant: Shelley Blaze; tailor: Alison O’Brien