BEST PERFORMANCES

Margot Robbie and Michael B. Jordan Compare Notes on Boxing, Acting Naked, and Harley Quinn vs. Killmonger

Harley Quinn and Killmonger have a lot in common, as it turns out.


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Photograph by Tim Walker; Styled by Sara Moonves.

Margot Robbie and Michael B. Jordan seem to effortlessly check all the movie star boxes: Megawatt charm? Check (those smiles!). Actor clout? No problem (having Martin Scorsese and Ryan Coogler launch their respective careers can’t hurt). Lucrative blockbuster movie franchises? Yep, that too (Robbie in Suicide Squad and Jordan in Creed, with a memorable detour into Wakanda). So, as it turns out, they have a lot to talk about—and not just about fame and their good fortune. Here, as part of our annual Best Performances portfolio, Robbie, who starred in the recent palace-intrigue period drama Mary Queen of Scots, and Jordan, who returned in Creed 2 and dominated the screen in Black Panther this year, sit down with W‘s Editor at Large Lynn Hirschberg to share not only how it is they make morally questionable villains like Harley Quinn and Killmonger into magnetic antiheroes, but also their totally embarrassing early email addresses, their most memorable red carpet fashion faux pas, and their frankly amazing first kiss stories.

So Michael, what’s the first album you ever bought?

Michael B. Jordan: First album? Ah, man, that’s a good one. Margot Robbie: Oh, that is a good one. Jordan: I want to say, on cassette tape… um, Usher’s My Way. Robbie: That’s a good answer. Jordan: You’re taking me back. I want to say I rode my bike to the music store that was, like, down the street.

What was the first album you ever bought, Margot?

Robbie: I think the first album I bought was, um, AFI’s Sing the Sorrow. I was in a bit of a heavy metal phase. But I think the first single I bought was Blink 182, “All the Small Things.” Jordan: Okay. So the heavy metal. Are you still in that phase or did you pass that? Robbie: Occasionally. Jordan: Occasionally? Robbie: Occasionally.

Have you ever gone through a heavy metal phase, Michael?

Jordan: I have not. Robbie: [Laughs.] Jordan: But electric guitar solos are my thing. Like, I love, the Ernie Isleys of the world, the “Who’s That Lady” solo is pretty incredible. [Michael Jackson’s] “Dirty Diana” is pretty good.

Do you play air guitar?

Jordan: Air guitar? All day. [Laughs.] Robbie: I can air guitar. That’s about the extent of my musical prowess, really.

Michael, did you box before Creed?

Jordan: I never officially boxed but karate, martial arts, and stuff like that. And then I kinda segued into boxing.

And you, Margot, have you ever boxed?

Robbie: I’ve done a bit of boxing, yeah—mainly to prepare for fight training, like stunt work. And I really, really like it. I have stupidly long arms, like, they’re too long for my body. So actually it’s kind of good when you’re boxing. Jordan: The reach is incredible. Robbie: An extra long reach. And it looks good on camera. Having long limbs on camera makes your punches— Jordan: Your punch is a little wider, yeah, yeah, yeah. She knows what she’s talking about.

Margot Robbie wears a Chanel cardigan and skirt; stylist’s own top. Michael B. Jordan wears a Calvin Klein 205W39NYC cardigan and vest; Brioni trousers.

Photograph by Tim Walker; Styled by Sara Moonves.

What I love about both of your performances in different movies is that although you kind of play superheroes in both Suicide Squad and in Black Panther, you’re also kind of antiheroes at the same time. There’s a kind of dichotomy to the characters.

Robbie: A lovable rogue. Jordan: That’s right. I like that. I mean, those are the most interesting characters to me sometimes, like when I’m watching films that, on screen, are the ones that you can empathize with. Like, they want you to root against ’em. They want you to not like them. But somehow you can still understand where they’re coming from and that’s important.

Do you have a favorite villain? Other than Killmonger.

Jordan: Yeah, because he’s tough. I mean, honestly, it’s between [Michael] Fassbender’s Magneto and Heath Ledger’s Joker. Honestly. Those two are pretty up there for me. [To Robbie] What about you? Robbie: I’m totally stealing someone else’s answer. I’ve heard someone else say this, but I do truly think this is a genius villain: HAL from 2001: A Space Odyssey. Jordan: Ohhh. Man. Robbie: It’s just such a cool villain. That was genius.

But it is also kind of weirdly sympathetic.

Robbie: Totally. The best villains are sympathetic.

With both these characters, you act with very little clothing on. Is it difficult to act when you are basically naked?

Robbie: Uh … Jordan: I’m always naked, actually. Robbie: Honestly, for me, as Harley at least, the more skin showing the longer it takes in hair and makeup ’cause she’s got, you know, white skin and a million tattoos. So if anything outside, god, the scenes where I don’t even have the jacket on, that’s an extra 20 minutes in the makeup trailer. Jordan: Yeah, same here. Killmonger, all the scars and stuff like that, the makeup, it took a long time to put the prosthetics on. Robbie: Yeah, you want to be more covered up.

So, Michael, what was the very first thing you ever auditioned for?

Jordan: Ooh. Robbie: Hmm. I’m trying to think of the first thing I auditioned for.

Let’s say the one you got.

Jordan: The Sopranos. I don’t know what season it was, but Tony [Soprano] was having a flashback. And I played a bully in his childhood who bullied him on the boardwalk on his way home one day.

Really?

Jordan: Yeah, I was Bully #2, I think.

Was it a speaking role?

Jordan: It was, but we were just yelling shit at him. I don’t know. I was improv-ing, actually. I was living in the moment— Robbie: (Laughs.) I was so presentJordan: I was… Robbie: —that I now can’t remember. Jordan: … locked into Bully #2.

Hermès sweater.

Photograph by Tim Walker; Styled by Sara Moonves.

And Margot, what was your first audition?

Robbie: My first audition was the first indie film I did in Australia. And I got the job; the film was never released. Uh, I’ve never actually seen it…

You’ve never seen it?

Robbie: No, I’ve never seen it. Jordan: Now we gotta find it. Robbie: No, you really don’t need to. Jordan: [Laughs.] What was the name of that again? Robbie: Don’t, no… I’m not even gonna mention it. Not even going to mention it.

What did you play?

Robbie: I played an angsty teen. Kind of what I was at the time, anyway. It was fun. Jordan: Oh man. I have homework now. Robbie: [Laughs.] No, you don’t. No. Really. No need to delve that far back.

And what did you do right after your independent film that didn’t happen?

Robbie: I did another independent film that also didn’t get released. After that, I auditioned for a show called The Elephant Princess. I got down to the last three for the lead role. And I didn’t get it. But they remembered my audition and they invited me back for a guest role later on. And that guest role is what took me to Melbourne. So then, from that point, that’s when I started working consistently and I got paid for that one. So that was a big step up in the world.

You hadn’t been paid for the first two?

Robbie: No, I’d done a lot of unpaid work at that point, because I just wanted to be working. Jordan: That’s awful. Robbie: It always leads to something else, anyway. Funnily enough, Liam Hemsworth was also on The Elephant Princess. Jordan: I can’t wait to give him shit.

Michael, what was your first email address?

Robbie: Oh, that’s a great question. Jordan: Oh, you going there? Oh, man. Robbie: [Laughs.] I can’t wait to hear this. Jordan: [Laughs.] It was an AOL, too. It was, uh, bilnem, b-i-l-n-e-m, and it was like “Basketball Is Like Nothing Else Matters.” That’s what it was at AOL.com. Robbie: That is great. It could be more embarrassing. That’s actually kind of cool. Jordan: Yeah. Basketball, that was it for me. Robbie: That was life. Jordan: I was going to the NBA. Robbie: Nothing else mattered. At that time. [Laughs.] You still have it, right? Jordan: No. No. No, that’s gone. That’s gone. That went away right after, I think, when dial-up went away. [Laughs.]

Margot, what was your email?

Robbie: Mine was also kind of sport related. It was so embarrassing: sweetsurfer02@hotmail.com. Jordan: Okay. You’re a Hotmail kind of person. Robbie: In Australia, that was it. It wasn’t AOL.

You had to add 02 because there was so many sweetsurfers.

Robbie: Yeah. Sweetsurfer was taken. I had to add the number. Jordan: Random question. So was America Online only in America? Robbie: AOL? I don’t know. But we had MSN. It’s like all you do after school is get on your MSN account and have group chats.

Staud coat; Giu Giu turtleneck; Vex Clothing tights; Urstadt Swan gloves; Manolo Blahnik shoes; stylist’s own veil.

Photograph by Tim Walker; Styled by Sara Moonves.

What was your first red carpet outfit, Michael?

Jordan: Are we talking, like, Bully #2 days or are we talking, like, grown man?

You walked the red carpet for Bully #2? [Laughs.]

Robbie: [Laughs.] Jordan: Naw, I mean, it might not have been for my project, but I think I might have, like, weaseled my way onto a red carpet. Sometimes on these fan sites, they put together all these weird clips from like, “I don’t even remember that.” Robbie: Oh, yeah. God bless the Internet. Jordan: Anyway, I remember just wearing… it’s really enough I had a cardigan on, but I had these extremely big, baggy jeans on. It was definitely a cultural timing thing. Like it was the moment in time for fashion. Anyway, the jeans were huge—

Like Kris-Kross?

Jordan: No. No. Not that bad. Not Kris-Kross. But they were just in, baggy with this really fitted cardigan top. Yeah, I had like a rosary on, that might have been hot in the moment. I might have been like 13, 14 years old. Robbie: I wanna see this outfit. Jordan: It’s so bad. It doesn’t exist anymore actually. Robbie: Sure, sure. Jordan: I had them take it down from the Internet. Robbie: I’m gonna find this.

Margot, what was your first big red carpet outfit?

Robbie: People like to bring it up often, because it was quite a choice, I’d say. [Laughs.] I don’t know if it was a good choice. But I was 18, you know, doing my first carpet. The Australian equivalent of the Emmys is called the Logies. I was working on a TV show and got nominated for a Logie, and it was my big moment on the red carpet. I thought honestly the biggest thing that will ever happen to me was going to the Logies. So, I went all-out with the dress. It was very short at the front, long at the back. Lots of layers, bright colors, shiny fabric— Jordan: What kind of colors are we talking about? Robbie: Like, the brightest orange you can think of, interspersed with the black shiny fabric as well. So, it’s like orange, black, orange, black, big bow at the back.

Big bow?

Robbie: Like, stripper-looking hair. I was obviously very tan at this stage because I was still living in Australia. It’s a look. But you know what, I don’t regret it because every time someone’s like, “Ooh, bet you wish you could take that one back?” And I’m like, “No.” I was 18. I was having fun. I can dress boring for the rest of my life. I went for it, whatever. Jordan: I love it.

Best Performances: Featuring Nicole Kidman, Claire Foy, Rami Malek, and 29 of Hollywood’s Biggest Stars

Claire Foy wears a Burberry top, corset dress, socks, and shoes; Charvet scarf. Emily Blunt wears a Burberry dress, shirt, socks, and shoes; stylist’s own top.

Photograph by Tim Walker; Styled by Sara Moonves.

Kiki Layne wears a Prada top and headband; Tiffany & Co. earrings. Jonah Hill wears The Row jacket, shirt, and tie.

Photograph by Tim Walker; Styled by Sara Moonves.

Margot Robbie wears a Chanel cardigan and skirt; stylist’s own top. Michael B. Jordan wears a Calvin Klein 205W39NYC cardigan and vest; Brioni trousers.

Photograph by Tim Walker; Styled by Sara Moonves.

Nicole Kidman wears an Armani Privé dress; Cartier earrings; Cornelia James gloves; stylist’s own veil.

Photograph by Tim Walker; Styled by Sara Moonves.

Mahershala Ali wears a Prada suit; his own top and bracelet. Amy Adams wears a Givenchy dress and belt.

Photograph by Tim Walker; Styled by Sara Moonves.

Eddie Redmayne wears a Givenchy shirt and pants. Rami Malek wears a Saint Laurent by Anthony Vaccarello shirt.

Photograph by Tim Walker; Styled by Sara Moonves.

Saoirse Ronan wears a Celine by Hedi Slimane dress.

Photograph by Tim Walker; Styled by Sara Moonves. Hair by Malcolm Edwards at Art Partner; Makeup by Lucy Bridge for MAC Cosmetics at Streeters London; Manicures by Michelle Saunders for Essie at Forward Artists. Set design by Gary Card at Streeters London. Men’s wear editor: Sam Walker. Hair for King: Angela A. Perrantes; Grooming for Jordan: Carola Gonzalez for Malin & Goetz at Forward Artists; Hair for Jordan: Jove Edmond; Hair for Layne: Larry Sims for flawless at Forward Artists. Produced by Jeffrey Delich at Padbury Production; Production Manager: Lauren Sakioka at Padbury Production; Local Producer: Meghan Gallagher at Connect the Dots; Local Production Coordinator: Jane Oh at Connect the Dots; Photography Assistants: Sarah Lloyd, Tony Ivanov, Kyle Holmquist, Keith Coleman, Scott Froschauer; Retouching by Graeme Bulcraig at Touch Digital; Production Assistants: Michael Osborn, Nikki Patrlja, Dan Fleming; Fashion Assistants: Allia Alliata di Montereale, Nadia Beeman, Sharon Chitrit, Megan King, Brejon Golden, Jonnie Atkinson, Lindsey Hartman, Rosa Schorr; Set Assistants: Nicole McBride, Collin Lebrasseauer, Seth Powsner, Olivia Giles; Ballet Dancers: Morgan Quinn, Jaclyn Hamric, Corey O’Brien, Dominic Eustes; Tailors: Isa Kriegeskotte, Karla Yvette Miranda, Nastassia Bauta; Special thanks to Quixote Studios, Heirloom LA, Kitchen Mouse, Electric Avenue, Cast Partner.
Photograph by Tim Walker; Styled by Sara Moonves.

Nicole Kidman in Boy Erased and Destroyer

“In Destroyer, I play a cop who’s been through a lot—she’s very American, very angry, distressed, and disturbed. I wasn’t the first choice for that role—it went to somebody else and she didn’t want to do it. I read the script and put my hand up and said, ‘What about me?’ ” Did the wardrobe contribute to the character? We took so long to find the leather jacket that I wear in pretty much every frame of the film. I became so obsessed with that jacket, I would wear it at home. I put it on first thing in the morning. My kids visited the set and were shocked at the way I looked. You know, I’ve been working as an actor since I was 14 years old. It’s a choice, but it’s also a calling. Sometimes, I kind of try to move away, but it always pulls me back.

Comme des Garçons coat, T-shirt, skirt, tights, and boots; headpiece by hairstylist Malcolm Edwards. Inflatable latex costumes by artist Sasha Frolova (throughout).

Photograph by Tim Walker; Styled by Sara Moonves.

Amy Adams in Vice

“My role in Vice is Lynne Cheney, Dick Cheney’s wife. It’s a huge responsibility to play a living person. I didn’t meet Lynne, and that’s interesting too—playing somebody who’s alive but whom you’ve never met. Plus, I age from 20 to 70 in the film, so that was another challenge.” Did her conservative politics affect your performance? I really just absorbed her point of view. Whether I agree with it or not doesn’t really matter. To get into character, I would have long debates about policy and politics as Lynne Cheney with our director, Adam McKay. I called him many names. I teased him about wearing shorts on set and how that was disrespectful. But I didn’t swear, because Lynne wouldn’t swear.

Valentino gown; Valentino Garavani earrings; Marc Jacobs boots.

Photograph by Tim Walker; Styled by Sara Moonves.

Saoirse Ronan in Mary Queen of Scots and On Chesil Beach

“This is the first time I’ve played any queen or monarch. Mary had to hold herself in a certain way when she was presenting herself at court, but when she was on her own, in her intimate quarters, she was quite different. I began to feel like a bit of a boss. A boss queen!” Did you learn any royal skills? Yes, I learned to ride. My horse in the film was also Wonder Woman’s horse—his name is Prince, and he is the biggest diva I’ve ever met. Prince doesn’t do anything for anyone, especially me, and had a nervous cough that you’d hear right before we’d do a take. Everything I did was for that horse, just to get his approval.

Balenciaga dress and shoes.

Photograph by Tim Walker; Styled by Sara Moonves.

Lakeith Stanfield in Sorry to Bother You

“The director of the film, Boots Riley, had been following me for quite a while before I finally met him. He handed me the script for Sorry to Bother You literally put it in my hands. I was like, Who is this strange person? When I read the script, I realized I had no idea how deeply strange he is. But his strangeness revealed itself to be another form of beauty.” Growing up, who was your cinematic crush? Jennifer Love Hewitt. I loved her. I couldn’t comprehend anything, except that she was beautiful. What’s your favorite Halloween costume? I’m always the Joker. Every year. Soon there will be a black Joker movie, and it will be me.

Maison Margiela Artisanal Men’s Designed by John Galliano suit; Tiffany & Co. earrings; John Hardy cross necklace; Chrome Hearts thick chain; Hoorsenbuhs long chain; Stanfield’s own rings.

Photograph by Tim Walker; Styled by Sara Moonves.

Margot Robbie in Mary Queen of Scots

What was your first red-carpet outfit? I was 18. The Australian equivalent of the Emmys is called the Logies, and I was nominated. It was my big moment, the biggest thing that had happened to me. So I went all out on the dress: It was very short at the front, long at the back, lots of layers, bright colors, and shiny fabric. It was, like, orange, black, orange, black—with a big bow at the back. I had stipple-looking hair, and I was very tan. It was…a look. I don’t regret it, because I was 18 and having fun. I can dress boring for the rest of my life.

Staud coat; Giu Giu turtleneck; Vex Clothing tights; Urstadt Swan gloves; Manolo Blahnik shoes; stylist’s own veil.

Photograph by Tim Walker; Styled by Sara Moonves.

Timothée Chalamet in Beautiful Boy

Beautiful Boy [which is about a father and his son, who is addicted to drugs] was a script they’d been trying to get made for 10 years. Every guy actor my age had gone up for it. I’ve been lucky, but a lot of the bigger Hollywood movies like Spider-Man, things like that, I didn’t get. So, for Beautiful Boy, I did a lot of research and read about drugs, and I brought the books to my first meeting with the director. I could see in his eyes that he was thinking, This kid is nuts. But I felt this movie—the subject of drug addiction—was so important. I wanted to make an anti-glorification-of-drugs movie. And I think we did.” Did you meet Nic Sheff, whom you play in the film? Yes. I met him a week before we started shooting. And there was nothing about Nic that fit my stereotype of an addict. That was the learning grace of this movie: Nic is alive and well, but the reality is, it’s a day at a time. You never really beat it. You lost so much weight. Was your mom worried about you? My mom was worried! I lost 18 pounds. First, I’m in a movie where I was having sex with a peach, and then it was like, “I got another movie!” She said, “Great!” And then I had to tell her what it was about.

Charvet shirt.

Photograph by Tim Walker; Styled by Sara Moonves.

Claire Foy in First Man

Growing up, what was your favorite toy? I had a disgusting pillow until I was about 21. Shamefully, I took it to university. Do you get nervous before filming? Oh, yes, I get nervous. It’s a gradual process of trying to work yourself up to being brave enough to be on set. You always worry that everyone’s going to say, “Ooh, we’ve made a terrible, terrible mistake.” What was the name of your first pet? Thumper. And the first street that you lived on? I don’t know. So you’re a one-name sensation: Thumper is your porno name. Thumper it is.

Burberry cape; Falconiere bonnet.

Photograph by Tim Walker; Styled by Sara Moonves.

Eddie Redmayne in Fantastic Beasts: The Crimes of Grindelwald

What was the first record you bought? Bon Jovi. “Livin’ on a Prayer” is such a good song. I love a good emotional ballad. The greatest YouTube hole to go down is Leona Lewis when she was on The X Factor. Every week, she just came and delivered. Occasionally she’d take her shoes off. Do you watch other reality shows? I’m quite excited because The Hills, which is my original reality-TV guilty pleasure, is coming back. I had a bit of a love-hate relationship with Heidi Montag. Do you have a secret skill? Yes. I’m incredibly good at being early. I’m always the person who gets to the airport four hours early. I drive everyone crazy.

Dior Men jacket and pants; Urstadt Swan gloves; Givenchy boots.

Photograph by Tim Walker; Styled by Sara Moonves.

Michael B. Jordan in Black Panther

Do you have a favorite movie villain? For me, it’s a tie between Heath Ledger as the Joker and Michael Fassbender as Magneto. Villains, like Erik Killmonger in Black Panther, are the most interesting characters. They are the ones you can empathize with—they want you to not like them, but you can still understand their motivation.Even though you’re the villain in Black Panther, do people on the street still say “Wakanda forever” to you? They don’t immediately realize that my character is not exactly pro-Wakanda. Midway through saying something, it registers: Oh, he wasn’t really with Wakanda. But by then they’ve already committed.

Is it difficult to act when you’re basically naked? I’m always naked. So, no.

Hermès sweater.

Photograph by Tim Walker; Styled by Sara Moonves.

Joanna Kulig in Cold War

“The director, Pawel Pawlikowski, wrote the part of Zula for me. I knew that the inspiration for the character came from his mother. Zula is her real name, and, like me, she was blonde. I saw her photo.” Was that the hardest part about portraying the character? No. The hardest part was the dancing. In general, I have a problem with coordination. I spent six months in a Polish folk ensemble learning how to dance. We partied together, we drank together, and we’d dance for six hours during a concert. It was like a family, and I started to build the character of Zula. Soon, I had her thoughts and personality. And I finally learned how to dance!

Chloé dress; Louis Vuitton hat.

Photograph by Tim Walker; Styled by Sara Moonves.

Elizabeth Debicki in Widows

“I was a dancer for many, many years, and I thought I was going to be a ballerina. When I was about 12, I went to a summer school for the Australian ballet and I was already taller than my teacher. So I remember saying to myself, I’m going to have to rethink this plan.” Did you audition for Widows? Yes, I put myself on tape in my friend’s garage. How glamorous! I remember wearing a lot of eyeliner. I picked out some hoop earrings. And, funnily enough, in the finished film, she ended up looking a lot like she did in my test.

Marc Jacobs coat; Noel Stewart headpiece; Cornelia James gloves; Falke tights; Vivienne Westwood shoes.

Photograph by Tim Walker; Styled by Sara Moonves.

Regina King in If Beale Street Could Talk

“I took a break from making films. My son, Ian, was getting to the age, around sixth grade, when kids are starting to spread their wings, and everything that was being offered to me was outside of Los Angeles, except for TV. I didn’t want to travel to make films. So I like to say I was one of the first movie actors who made the leap into television.” Do they call Beale Street your comeback film? I like to use the LL Cool J song: “Don’t call it comeback. I been here for years.”

Givenchy dress; Graham Tyler hat; Linda Farrow sunglasses.

Photograph by Tim Walker; Styled by Sara Moonves.

Willem Dafoe in At Eternity’s Gate

“I painted in a movie called To Live and Die in L.A., but it wasn’t about painting—it was more about counterfeiting and killing people. In playing Vincent van Gogh, painting was the key to the character. I had to know what I was doing. The director, Julian Schnabel, would say, ‘Hold the brush like a sword’ and ‘There’s no such thing as a bad mark.’ I began to think that painting is about making an accumulation of marks. Acting is the same: You create a character scene by scene. It’s a series of marks that start a rhythm, and that rhythm sends you where you need to go.” Who is your cinematic crush? Warren Oates. When I saw him perform, I thought, That’s not an actor, that’s a man. It kind of broke my heart to find out he was actually a trained actor.

Balenciaga coat.

Photograph by Tim Walker; Styled by Sara Moonves.

Thomasin Harcourt McKenzie in Leave No Trace

“I play a girl who is with her father in the wild, far away from civilization. Since I live in New Zealand and couldn’t fly to America, I auditioned on tape. We had a lot of props: a bucket, a toothbrush, a sleeping bag, and a rabbit named Coco. I also ran through the New Zealand bush with a GoPro in my mouth and sent that off as well. I didn’t meet the director in person. Six months later, on Christmas, I found out that I had gotten the part.”

Moschino Couture dress; Capezio tights; Sergio Rossi shoes.

Photograph by Tim Walker; Styled by Sara Moonves.

Steven Yeun in Burning

“I like filming death scenes. When I was on The Walking Dead, I had known for some time about my character’s death. I was really excited for that day—I was looking forward to getting my skull bashed in. In Burning, my death scene was really fun. That was the only time it snowed, which was unexpected, and it added some magic to the moment. Everybody fantasizes about what it would be like to die. If I could make a career out of being killed, it would be okay.” Do you have a secret skill? Yes. I’m really good at getting parking spots. I’m so confident that the spot is going to be there, that it’s always there. Right in front.

Gucci jacket, shirt, pants, hat, and shoes; Charvet tie.

Photograph by Tim Walker; Styled by Sara Moonves.

Elsie Fisher in Eighth Grade

“I have been acting since I was 5. My first job was doing the voice of Agnes, the youngest daughter, with the big ponytail on top of her head, in Despicable Me. I was in the sequel, but I was too old for Despicable Me 3, because I can’t do my 5-year-old voice anymore.” In Eighth Grade, there is a pool-party scene that is nerve-wracking. You wear a very awkward green bathing suit. Yes, it is anxiety inducing. I did not pick the bathing suit. They wanted a lime green one so my character would stick out. I still have it. I mean, I don’t go to the pool that much, but that’s my bathing suit now. I love it.

Gucci dress; Eugenia Kim hat; Sophie Buhai necklace.

Photograph by Tim Walker; Styled by Sara Moonves.

Jonah Hill in Don’t Worry, He Won’t Get Far on Foot

In the film, your character, Donny, has a fantastic fashion sense. One of the things that inspired me was a photograph of Yves Saint Laurent in Morocco in the ’70s. I looked at it and was like, Oh, level-10 Marrakech! So Donny wears a lot of caftans and Moroccan stuff in the movie—kind of our Tom Petty and Yves Saint Laurent level-10 Marrakech. He also has a very calm, Zen outlook on life. Donny had conquered a lot of the things that were dark and demonic about himself, and he was able to be peaceful and calm. That was a joy to play. I miss being Donny— even his long blond hair. What was your most memorable birthday? My mom once sent a mariachi band to play my favorite song, “Feliz Navidad.” It was winter in New York and eight mariachis played my song. I was like, “Am I hallucinating right now?”

Raf Simons coat; the Row T-shirt and jeans; Paul Smith boots.

Photograph by Tim Walker; Styled by Sara Moonves.

Kiki Layne in If Beale Street Could Talk

How did you find out you had the part in Beale Street? It was nine in the morning and Barry Jenkins, the director, called and woke me up. He just got to talking and didn’t introduce himself. Finally, he said, “Girl, do you even know who you’re talking to?” He went on to tell me that they were giving me the role! I was trying to rush him off the phone so I could really go crazy and cry and call my mama. What is your go-to karaoke song? “Drunk in Love,” by Beyoncé. Especially if you’ve got somebody that’ll hold down Jay Z’s part. That’s definitely the move. I feel like you have mood hair: Sometimes it’s long, sometimes it’s short—up, down. Oh, yeah, we gotta switch it up. You never really know how it’s gonna be: Will it be curly? Straight? And watch out when those colors start coming in!

Saint Laurent by Anthony Vaccarello dress and boots; Prada headband; Tiffany & Co. earrings.

Photograph by Tim Walker; Styled by Sara Moonves.

Carey Mulligan in Wildlife

“Paul Dano, who cowrote and directed Wildlife, called me and said he was going to send me the script. I was kind of flattered that he thought I could play Jeanette.” She’s a tormented character. Did you have trouble shaking her off at the end of the day? No. When you’ve got kids, they expect you to come home and be Mom, not some weird drunk woman. At the end of the day, I take off that hat, leave that person at work, and come home and watch the Food Network. I love Chopped. They make disgusting things, but I do like Bobby Flay. Chopped and Bobby Flay are the perfect antidote to films like Wildlife.

Michael Kors Collection dress; vintage hat from New York Vintage, New York; Tiffany & Co. earrings; Carolina Amato gloves; Capezio tights; Jimmy Choo shoes.

Photograph by Tim Walker; Styled by Sara Moonves.

Yalitza Aparicio (far left) in Roma

“The shoot for Roma lasted six months. We shot in chronological order. It was a very long process for me. I had not seen any of Alfonso Cuarón’s films. I actually didn’t know who he was. Alfonso asked me not to watch any of his films until we were done with the filming. He didn’t want me poisoning my mind with any images or ideas.”

Marina de Tavira in Roma

“I was the only actor in Roma with any previous experience. It was really challenging. First-time actors—and many of them were children—have a completely different way of working. Alfonso Cuarón would play tricks on us—make things happen that we were not expecting. That way, he made real life appear on set.”

From left: Valentino gown. The Row gown; Tiffany & Co. earrings.

Photograph by Tim Walker; Styled by Sara Moonves.

Emily Blunt in Mary Poppins Returns

“The hardest thing about playing Mary Poppins was learning how to dance. One day, you’re handed a hat and a cane, and I was like, Oh, my God. And, also, the initial idea of taking on a character that iconic was daunting. But once I got over my fears, it was deliciously fun.” What was your first red-carpet outfit? It was for My Summer of Love, and I was far too tanned. I was wearing a very bright yellow dress. I always laugh at how sweaty I looked. Horrible. Who is your girl crush? Rihanna. I mean, come on. She’s smoking.

Louis Vuitton coat; Eugenia Kim hat; Manokhi gloves.

Photograph by Tim Walker; Styled by Sara Moonves.

Rami Malek in Bohemian Rhapsody

“The first thing I auditioned for I almost wasn’t allowed to audition for. I got a call from a casting director, and she asked to speak to the agent representing Rami Malek. I said, ‘Uh, speaking.’ She kind of laughed and said, ‘Call me when you have an agent.’ I go, ‘You’re already laughing—give me a shot.’ It was three lines in Gilmore Girls. I convinced her to let me read, and I got the part.” Besides in the film, have you ever sung any Queen songs in public? In Japan, with our version of the band, we dressed up in animal onesies and did “Bohemian Rhapsody,” like the original video. It was filmed, and I’m sure someone will get drunk and throw it out there into the ether.

Officine Générale pants; Atsuko Kudo Couture Latex Design gloves.

Photograph by Tim Walker; Styled by Sara Moonves.
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I think that’s great. Okay, Michael. Where was your first kiss?

Jordan: Hmm. Weirdly enough, I remember the girl. It’s funny. I was in school, and the lunchrooms were downstairs, so the basement was they had the lunchrooms and stuff like that. In between, on the stairwells going downstairs, it was right in the middle, like the landing area. So, you wasn’t quite downstairs in the basement and you wasn’t quite on the first floor. It was a little blind spot or whatever. And, she was on her way to lunch, I was on my way to my to my other class and… she kissed me, actually.

Of course.

Jordan: Yep. She was a little aggressive. Robbie: She made the move. Jordan: She did. I didn’t fight it.

Were you surprised?

Jordan: Naw, I didn’t fight it. Robbie: [Laughs.] Oh, twist my arm. I’ll make out. Jordan: Yeah. But usually when you’re young, everything’s planned. Like, “We’re gonna do this at this time and this time.” Robbie: Yeah, yeah.

So, you knew it was happening?

Jordan: Yeah, I knew it was happening. But, then again, did I really know if was gonna happen? No. But … Robbie: Were you walking a little taller afterwards? Jordan: Oh, for sure. I think my tie, you know what I’m saying? Like, posture was sitting up. I just remember like getting butterflies for sure.

Oh, how cute.

Robbie: That’s really sweet.

Margot, you have to tell yours because it’s a good story.

Robbie: It’s very romantic. It was. I was on an island… I know, really painting the scene. It’s an island that’s not far from Queensland. You just kind of get a boat over; it’s not really that exotic, but it is really beautiful. It’s called Great Keppel Island. And it’s midnight and we had met on the beach earlier in the holiday. It was a family holiday. And we planned it, as you do. You know, everyone was like, “You guys should totally kiss.” And we were like, “Okay”. So, we planned to meet at midnight. And he left the next day and we never saw each other again. Jordan: Wow. That’s tragic. Robbie: And it was a great first kiss. It was great. It was perfect. Like it really, it wasn’t awkward. Like a movie, cinematic, amazing kiss at midnight on this island. I got back home and I told my cousin I met this boy and we kissed and it was amazing. And she was like, “Did you get his phone number?” Which was, of course at that time, his home phone number. I was like, “No”. So, we went through the whole phone book.

Oh my God.

Jordan: Wow. This is a story. Robbie: Looked up his name in the phone book and called every one of them. And, none of them were him. I never found him. And then years and years later, I was at a party and we ran into each other. Jordan: Does he remember that story? Robbie: He did. We both like looked up and were like, “What?!” Jordan: Midnight? Robbie: Yeah. Jordan: It’s you, Midnight? Robbie: It’s you? Jordan: That’s you? [Laughs.] Robbie: Yeah. It was very funny. Jordan: That’s awesome. The level of dedication of young people trying to get a kiss… it’s incredible. Going through the entire phone book. Robbie: God, kids these days just wouldn’t understand.