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Culture

Fantasy Casting the Wicked Movie, Coming in 2021

February 9, 2019 1:39 PM

The long-delayed Wicked movie is, apparently, back on again. There were rumors and announcements and delays, but, as The Hollywood Reporter reported on Friday, Universal has given a big-screen adaptation of the hit Broadway musical a release date: December 22, 2021. You can easily remember this date because it’s a palindrome: 12-22-21. The film is to be helmed by Stephen Daldry, director of dramas like The Reader and The Hours, as well as Billy Elliot, which, hey, just happened to go on to become a successful musical onstage!

Nothing else about the film has been officially announced, but that won’t stop us from dream-casting the hell out of it. And because there are so many directions this movie could go in, we are providing multiple options for each role (sorry, but as the main characters are supposed to meet as schoolgirls, most of the original cast from 2003 is disqualified). Take note, casting directors and agents.

Elphaba Thropp, The Wicked Witch of the West and the Baddest B in Gallifrey

Vocally demanding, the heart and soul of the show, and she has to be a good enough actress to not look ridiculous with her skin tinted green. Samantha Barks has proven that they can belt with the best of them (as can Ariana Grande, but honey, your diction), Zendaya’s got the spunk to piss off all of Oz, and Hailee Steinfeld‘s just moody enough to seem like a real outcast. Then again, this is a role that might be best taken by someone from the musical theater world—maybe Dear Evan Hansen‘s Lauren Dreyfuss or Mean GirlsErika Henningsen. If only it were 10 years ago and Nikki M James could take this part and fly away with it. (She’d never do it, but what the hell: adding Lady Gaga to the list.)

Galinda Upland, Good Witch of the South

If you are very very quiet, you can actually hear Anna Kendrick practicing her “It’s really uh, sharp! Don’t you think?”. Disney breakout Dove Cameron, currently starring in the Clueless musical off-Broadway, has a real shot at this part, and she’s a natural fit. But if for some reason she’s unavailable, someone find out if Elle Fanning or Kiernan Shipka can sing!

Fiyero/Scarecrow__

If this movie were coming out five years ago, Aaron Tveit. If it were coming out right now, Zac Efron. But since it’s still two years away, and Ansel Elgort is busy with West Side Story, we’re leaning toward either Anthony Ramos or Shawn Mendes. But it’s also crucial that someone immediately test the singing abilities of Nick Robinson and Timothée Chalamet.

The Wizard

It’s still Joel Grey, okay? Sure, he will be nearly 90 when the movie hits theaters. That doesn’t matter. He’s Joel Grey. (Backups: Ron Cephas-Jones, Mark Rylance, Ian McKellen, Taye Diggs.)

Madame Morrible

Natalie Walker. Look, she’s way too young, but just get some of that Benjamin Button makeup and let her do it okay?

(Cate Blanchett and Queen Latifah are also acceptable.)

The roles of Boq, Nessarose, Dr. Dillamond and The Flying Monkeys will also have to be cast at some point, but apparently not everyone “has seen Wicked” and “knows what any of those names mean” so we’ll end it here. But just for now. Not for good.

Related: Ansel Elgort on Landing the Lead in Steven Spielberg’s West Side Story: “I Was in Tears”

Best Performances: Featuring Nicole Kidman, Claire Foy, Rami Malek, and 29 of Hollywood’s Biggest Stars

Claire Foy wears a Burberry top, corset dress, socks, and shoes; Charvet scarf. Emily Blunt wears a Burberry dress, shirt, socks, and shoes; stylist’s own top.

Photograph by Tim Walker; Styled by Sara Moonves.

Kiki Layne wears a Prada top and headband; Tiffany & Co. earrings. Jonah Hill wears The Row jacket, shirt, and tie.

Photograph by Tim Walker; Styled by Sara Moonves.

Margot Robbie wears a Chanel cardigan and skirt; stylist’s own top. Michael B. Jordan wears a Calvin Klein 205W39NYC cardigan and vest; Brioni trousers.

Photograph by Tim Walker; Styled by Sara Moonves.

Nicole Kidman wears an Armani Privé dress; Cartier earrings; Cornelia James gloves; stylist’s own veil.

Photograph by Tim Walker; Styled by Sara Moonves.

Mahershala Ali wears a Prada suit; his own top and bracelet. Amy Adams wears a Givenchy dress and belt.

Photograph by Tim Walker; Styled by Sara Moonves.

Eddie Redmayne wears a Givenchy shirt and pants. Rami Malek wears a Saint Laurent by Anthony Vaccarello shirt.

Photograph by Tim Walker; Styled by Sara Moonves.

Saoirse Ronan wears a Celine by Hedi Slimane dress.

Photograph by Tim Walker; Styled by Sara Moonves.

Hair by Malcolm Edwards at Art Partner; Makeup by Lucy Bridge for MAC Cosmetics at Streeters London; Manicures by Michelle Saunders for Essie at Forward Artists. Set design by Gary Card at Streeters London. Men’s wear editor: Sam Walker. Hair for King: Angela A. Perrantes; Grooming for Jordan: Carola Gonzalez for Malin & Goetz at Forward Artists; Hair for Jordan: Jove Edmond; Hair for Layne: Larry Sims for flawless at Forward Artists. Produced by Jeffrey Delich at Padbury Production; Production Manager: Lauren Sakioka at Padbury Production; Local Producer: Meghan Gallagher at Connect the Dots; Local Production Coordinator: Jane Oh at Connect the Dots; Photography Assistants: Sarah Lloyd, Tony Ivanov, Kyle Holmquist, Keith Coleman, Scott Froschauer; Retouching by Graeme Bulcraig at Touch Digital; Production Assistants: Michael Osborn, Nikki Patrlja, Dan Fleming; Fashion Assistants: Allia Alliata di Montereale, Nadia Beeman, Sharon Chitrit, Megan King, Brejon Golden, Jonnie Atkinson, Lindsey Hartman, Rosa Schorr; Set Assistants: Nicole McBride, Collin Lebrasseauer, Seth Powsner, Olivia Giles; Ballet Dancers: Morgan Quinn, Jaclyn Hamric, Corey O’Brien, Dominic Eustes; Tailors: Isa Kriegeskotte, Karla Yvette Miranda, Nastassia Bauta; Special thanks to Quixote Studios, Heirloom LA, Kitchen Mouse, Electric Avenue, Cast Partner.

Photograph by Tim Walker; Styled by Sara Moonves.

Nicole Kidman in Boy Erased and Destroyer

“In Destroyer, I play a cop who’s been through a lot—she’s very American, very angry, distressed, and disturbed. I wasn’t the first choice for that role—it went to somebody else and she didn’t want to do it. I read the script and put my hand up and said, ‘What about me?’ ”
Did the wardrobe contribute to the character?
We took so long to find the leather jacket that I wear in pretty much every frame of the film. I became so obsessed with that jacket, I would wear it at home. I put it on first thing in the morning. My kids visited the set and were shocked at the way I looked. You know, I’ve been working as an actor since I was 14 years old. It’s a choice, but it’s also a calling. Sometimes, I kind of try to move away, but it always pulls me back.

Comme des Garçons coat, T-shirt, skirt, tights, and boots; headpiece by hairstylist Malcolm Edwards. Inflatable latex costumes by artist Sasha Frolova (throughout).

Photograph by Tim Walker; Styled by Sara Moonves.

Amy Adams in Vice

“My role in Vice is Lynne Cheney, Dick Cheney’s wife. It’s a huge responsibility to play a living person. I didn’t meet Lynne, and that’s interesting too—playing somebody who’s alive but whom you’ve never met. Plus, I age from 20 to 70 in the film, so that was another challenge.”
Did her conservative politics affect your performance?
I really just absorbed her point of view. Whether I agree with it or not doesn’t really matter. To get into character, I would have long debates about policy and politics as Lynne Cheney with our director, Adam McKay. I called him many names. I teased him about wearing shorts on set and how that was disrespectful. But I didn’t swear, because Lynne wouldn’t swear.

Valentino gown; Valentino Garavani earrings; Marc Jacobs boots.

Photograph by Tim Walker; Styled by Sara Moonves.

Saoirse Ronan in Mary Queen of Scots and On Chesil Beach

“This is the first time I’ve played any queen or monarch. Mary had to hold herself in a certain way when she was presenting herself at court, but when she was on her own, in her intimate quarters, she was quite different. I began to feel like a bit of a boss. A boss queen!”
Did you learn any royal skills?
Yes, I learned to ride. My horse in the film was also Wonder Woman’s horse—his name is Prince, and he is the biggest diva I’ve ever met. Prince doesn’t do anything for anyone, especially me, and had a nervous cough that you’d hear right before we’d do a take. Everything I did was for that horse, just to get his approval.

Balenciaga dress and shoes.

Photograph by Tim Walker; Styled by Sara Moonves.

Lakeith Stanfield in Sorry to Bother You

“The director of the film, Boots Riley, had been following me for quite a while before I finally met him. He handed me the script for Sorry to Bother You literally put it in my hands. I was like, Who is this strange person? When I read the script, I realized I had no idea how deeply strange he is. But his strangeness revealed itself to be another form of beauty.”
Growing up, who was your cinematic crush?
Jennifer Love Hewitt. I loved her. I couldn’t comprehend anything, except that she was beautiful.
What’s your favorite Halloween costume?
I’m always the Joker. Every year. Soon there will be a black Joker movie, and it will be me.

Maison Margiela Artisanal Men’s Designed by John Galliano suit; Tiffany & Co. earrings; John Hardy cross necklace; Chrome Hearts thick chain; Hoorsenbuhs long chain; Stanfield’s own rings.

Photograph by Tim Walker; Styled by Sara Moonves.

Margot Robbie in Mary Queen of Scots

What was your first red-carpet outfit?
I was 18. The Australian equivalent of the Emmys is called the Logies, and I was nominated. It was my big moment, the biggest thing that had happened to me. So I went all out on the dress: It was very short at the front, long at the back, lots of layers, bright colors, and shiny fabric. It was, like, orange, black, orange, black—with a big bow at the back. I had stipple-looking hair, and I was very tan. It was…a look. I don’t regret it, because I was 18 and having fun. I can dress boring for the rest of my life.

Staud coat; Giu Giu turtleneck; Vex Clothing tights; Urstadt Swan gloves; Manolo Blahnik shoes; stylist’s own veil.

Photograph by Tim Walker; Styled by Sara Moonves.

Timothée Chalamet in Beautiful Boy

Beautiful Boy [which is about a father and his son, who is addicted to drugs] was a script they’d been trying to get made for 10 years. Every guy actor my age had gone up for it. I’ve been lucky, but a lot of the bigger Hollywood movies like Spider-Man, things like that, I didn’t get. So, for Beautiful Boy, I did a lot of research and read about drugs, and I brought the books to my first meeting with the director. I could see in his eyes that he was thinking, This kid is nuts. But I felt this movie—the subject of drug addiction—was so important. I wanted to make an anti-glorification-of-drugs movie. And I think we did.”
Did you meet Nic Sheff, whom you play in the film?
Yes. I met him a week before we started shooting. And there was nothing about Nic that fit my stereotype of an addict. That was the learning grace of this movie: Nic is alive and well, but the reality is, it’s a day at a time. You never really beat it.
You lost so much weight. Was your mom worried about you?
My mom was worried! I lost 18 pounds. First, I’m in a movie where I was having sex with a peach, and then it was like, “I got another movie!” She said, “Great!” And then I had to tell her what it was about.

Charvet shirt.

Photograph by Tim Walker; Styled by Sara Moonves.

Claire Foy in First Man

Growing up, what was your favorite toy?
I had a disgusting pillow until I was about 21. Shamefully, I took it to university.
Do you get nervous before filming?
Oh, yes, I get nervous. It’s a gradual process of trying to work yourself up to being brave enough to be on set. You always worry that everyone’s going to say, “Ooh, we’ve made a terrible, terrible mistake.”
What was the name of your first pet?
Thumper.
And the first street that you lived on?
I don’t know.
So you’re a one-name sensation: Thumper is your porno name.
Thumper it is.

Burberry cape; Falconiere bonnet.

Photograph by Tim Walker; Styled by Sara Moonves.

Eddie Redmayne in Fantastic Beasts: The Crimes of Grindelwald

What was the first record you bought?
Bon Jovi. “Livin’ on a Prayer” is such a good song. I love a good emotional ballad. The greatest YouTube hole to go down is Leona Lewis when she was on The X Factor. Every week, she just came and delivered. Occasionally she’d take her shoes off.
Do you watch other reality shows?
I’m quite excited because The Hills, which is my original reality-TV guilty pleasure, is coming back. I had a bit of a love-hate relationship with Heidi Montag.
Do you have a secret skill?
Yes. I’m incredibly good at being early. I’m always the person who gets to the airport four hours early. I drive everyone crazy.

Dior Men jacket and pants; Urstadt Swan gloves; Givenchy boots.

Photograph by Tim Walker; Styled by Sara Moonves.

Michael B. Jordan in Black Panther

Do you have a favorite movie villain?
For me, it’s a tie between Heath Ledger as the Joker and Michael Fassbender as Magneto. Villains, like Erik Killmonger in Black Panther, are the most interesting characters. They are the ones you can empathize with—they want you to not like them, but you can still understand their motivation.Even though you’re the villain in Black Panther, do people on the street still say “Wakanda forever” to you? They don’t immediately realize that my character is not exactly pro-Wakanda. Midway through saying something, it registers: Oh, he wasn’t really with Wakanda. But by then they’ve already committed.

Is it difficult to act when you’re basically naked?
I’m always naked. So, no.

Hermès sweater.

Photograph by Tim Walker; Styled by Sara Moonves.

Joanna Kulig in Cold War

“The director, Pawel Pawlikowski, wrote the part of Zula for me. I knew that the inspiration for the character came from his mother. Zula is her real name, and, like me, she was blonde. I saw her photo.”
Was that the hardest part about portraying the character?
No. The hardest part was the dancing. In general, I have a problem with coordination. I spent six months in a Polish folk ensemble learning how to dance. We partied together, we drank together, and we’d dance for six hours during a concert. It was like a family, and I started to build the character of Zula. Soon, I had her thoughts and personality. And I finally learned how to dance!

Chloé dress; Louis Vuitton hat.

Photograph by Tim Walker; Styled by Sara Moonves.

Elizabeth Debicki in Widows

“I was a dancer for many, many years, and I thought I was going to be a ballerina. When I was about 12, I went to a summer school for the Australian ballet and I was already taller than my teacher. So I remember saying to myself, I’m going to have to rethink this plan.”
Did you audition for Widows?
Yes, I put myself on tape in my friend’s garage. How glamorous! I remember wearing a lot of eyeliner. I picked out some hoop earrings. And, funnily enough, in the finished film, she ended up looking a lot like she did in my test.

Marc Jacobs coat; Noel Stewart headpiece; Cornelia James gloves; Falke tights; Vivienne Westwood shoes.

Photograph by Tim Walker; Styled by Sara Moonves.

Regina King in If Beale Street Could Talk

“I took a break from making films. My son, Ian, was getting to the age, around sixth grade, when kids are starting to spread their wings, and everything that was being offered to me was outside of Los Angeles, except for TV. I didn’t want to travel to make films. So I like to say I was one of the first movie actors who made the leap into television.”
Do they call Beale Street your comeback film?
I like to use the LL Cool J song: “Don’t call it comeback. I been here for years.”

Givenchy dress; Graham Tyler hat; Linda Farrow sunglasses.

Photograph by Tim Walker; Styled by Sara Moonves.

Willem Dafoe in At Eternity’s Gate

“I painted in a movie called To Live and Die in L.A., but it wasn’t about painting—it was more about counterfeiting and killing people. In playing Vincent van Gogh, painting was the key to the character. I had to know what I was doing. The director, Julian Schnabel, would say, ‘Hold the brush like a sword’ and ‘There’s no such thing as a bad mark.’ I began to think that painting is about making an accumulation of marks. Acting is the same: You create a character scene by scene. It’s a series of marks that start a rhythm, and that rhythm sends you where you need to go.”
Who is your cinematic crush?
Warren Oates. When I saw him perform, I thought, That’s not an actor, that’s a man. It kind of broke my heart to find out he was actually a trained actor.

Balenciaga coat.

Photograph by Tim Walker; Styled by Sara Moonves.

Thomasin Harcourt McKenzie in Leave No Trace

“I play a girl who is with her father in the wild, far away from civilization. Since I live in New Zealand and couldn’t fly to America, I auditioned on tape. We had a lot of props: a bucket, a toothbrush, a sleeping bag, and a rabbit named Coco. I also ran through the New Zealand bush with a GoPro in my mouth and sent that off as well. I didn’t meet the director in person. Six months later, on Christmas, I found out that I had gotten the part.”

Moschino Couture dress; Capezio tights; Sergio Rossi shoes.

Photograph by Tim Walker; Styled by Sara Moonves.

Steven Yeun in Burning

“I like filming death scenes. When I was on The Walking Dead, I had known for some time about my character’s death. I was really excited for that day—I was looking forward to getting my skull bashed in. In Burning, my death scene was really fun. That was the only time it snowed, which was unexpected, and it added some magic to the moment. Everybody fantasizes about what it would be like to die. If I could make a career out of being killed, it would be okay.”
Do you have a secret skill?
Yes. I’m really good at getting parking spots. I’m so confident that the spot is going to be there, that it’s always there. Right in front.

Gucci jacket, shirt, pants, hat, and shoes; Charvet tie.

Photograph by Tim Walker; Styled by Sara Moonves.

Elsie Fisher in Eighth Grade

“I have been acting since I was 5. My first job was doing the voice of Agnes, the youngest daughter, with the big ponytail on top of her head, in Despicable Me. I was in the sequel, but I was too old for Despicable Me 3, because I can’t do my 5-year-old voice anymore.”
In Eighth Grade, there is a pool-party scene that is nerve-wracking. You wear a very awkward green bathing suit.
Yes, it is anxiety inducing. I did not pick the bathing suit. They wanted a lime green one so my character would stick out. I still have it. I mean, I don’t go to the pool that much, but that’s my bathing suit now. I love it.

Gucci dress; Eugenia Kim hat; Sophie Buhai necklace.

Photograph by Tim Walker; Styled by Sara Moonves.

Jonah Hill in Don’t Worry, He Won’t Get Far on Foot

In the film, your character, Donny, has a fantastic fashion sense.
One of the things that inspired me was a photograph of Yves Saint Laurent in Morocco in the ’70s. I looked at it and was like, Oh, level-10 Marrakech! So Donny wears a lot of caftans and Moroccan stuff in the movie—kind of our Tom Petty and Yves Saint Laurent level-10 Marrakech.
He also has a very calm, Zen outlook on life.
Donny had conquered a lot of the things that were dark and demonic about himself, and he was able to be peaceful and calm. That was a joy to play. I miss being Donny— even his long blond hair.
What was your most memorable birthday?
My mom once sent a mariachi band to play my favorite song, “Feliz Navidad.” It was winter in New York and eight mariachis played my song. I was like, “Am I hallucinating right now?”

Raf Simons coat; the Row T-shirt and jeans; Paul Smith boots.

Photograph by Tim Walker; Styled by Sara Moonves.

Kiki Layne in If Beale Street Could Talk

How did you find out you had the part in Beale Street?
It was nine in the morning and Barry Jenkins, the director, called and woke me up. He just got to talking and didn’t introduce himself. Finally, he said, “Girl, do you even know who you’re talking to?” He went on to tell me that they were giving me the role! I was trying to rush him off the phone so I could really go crazy and cry and call my mama.
What is your go-to karaoke song?
“Drunk in Love,” by Beyoncé. Especially if you’ve got somebody that’ll hold down Jay Z’s part. That’s definitely the move.
I feel like you have mood hair: Sometimes it’s long, sometimes it’s short—up, down.
Oh, yeah, we gotta switch it up. You never really know how it’s gonna be: Will it be curly? Straight? And watch out when those colors start coming in!

Saint Laurent by Anthony Vaccarello dress and boots; Prada headband; Tiffany & Co. earrings.

Photograph by Tim Walker; Styled by Sara Moonves.

Carey Mulligan in Wildlife

“Paul Dano, who cowrote and directed Wildlife, called me and said he was going to send me the script. I was kind of flattered that he thought I could play Jeanette.”
She’s a tormented character. Did you have trouble shaking her off at the end of the day?
No. When you’ve got kids, they expect you to come home and be Mom, not some weird drunk woman. At the end of the day, I take off that hat, leave that person at work, and come home and watch the Food Network. I love Chopped. They make disgusting things, but I do like Bobby Flay. Chopped and Bobby Flay are the perfect antidote to films like Wildlife.

Michael Kors Collection dress; vintage hat from New York Vintage, New York; Tiffany & Co. earrings; Carolina Amato gloves; Capezio tights; Jimmy Choo shoes.

Photograph by Tim Walker; Styled by Sara Moonves.

Yalitza Aparicio (far left) in Roma

“The shoot for Roma lasted six months. We shot in chronological order. It was a very long process for me. I had not seen any of Alfonso Cuarón’s films. I actually didn’t know who he was. Alfonso asked me not to watch any of his films until we were done with the filming. He didn’t want me poisoning my mind with any images or ideas.”

Marina de Tavira in Roma

“I was the only actor in Roma with any previous experience. It was really challenging. First-time actors—and many of them were children—have a completely different way of working. Alfonso Cuarón would play tricks on us—make things happen that we were not expecting. That way, he made real life appear on set.”

From left: Valentino gown. The Row gown; Tiffany & Co. earrings.

Photograph by Tim Walker; Styled by Sara Moonves.

Emily Blunt in Mary Poppins Returns

“The hardest thing about playing Mary Poppins was learning how to dance. One day, you’re handed a hat and a cane, and I was like, Oh, my God. And, also, the initial idea of taking on a character that iconic was daunting. But once I got over my fears, it was deliciously fun.”
What was your first red-carpet outfit?
It was for My Summer of Love, and I was far too tanned. I was wearing a very bright yellow dress. I always laugh at how sweaty I looked. Horrible.
Who is your girl crush?
Rihanna. I mean, come on. She’s smoking.

Louis Vuitton coat; Eugenia Kim hat; Manokhi gloves.

Photograph by Tim Walker; Styled by Sara Moonves.

Rami Malek in Bohemian Rhapsody

“The first thing I auditioned for I almost wasn’t allowed to audition for. I got a call from a casting director, and she asked to speak to the agent representing Rami Malek. I said, ‘Uh, speaking.’ She kind of laughed and said, ‘Call me when you have an agent.’ I go, ‘You’re already laughing—give me a shot.’ It was three lines in Gilmore Girls. I convinced her to let me read, and I got the part.”
Besides in the film, have you ever sung any Queen songs in public?
In Japan, with our version of the band, we dressed up in animal onesies and did “Bohemian Rhapsody,” like the original video. It was filmed, and I’m sure someone will get drunk and throw it out there into the ether.

Officine Générale pants; Atsuko Kudo Couture Latex Design gloves.

Photograph by Tim Walker; Styled by Sara Moonves.

Mahershala Ali in Green Book

“I hadn’t heard of Dr. Don Shirley, the man with three doctorates whom I play in Green Book. I looked for his music and found him in a documentary called Lost Bohemia. I was searching for a sense of his essence. There was a healthy pressure to get it right, rather than creating something out of thin air.”
Did you already know how to play the piano?
No. I worked for three months so that I’d look comfortable playing. Once I put on the ascot and sat at the piano, it helped the character pop into alignment.

Louis Vuitton shirt and pants; Church’s shoes.

Photograph by Tim Walker; Styled by Sara Moonves.

Ethan Hawke in First Reformed

“I owe a lot to Youngblood Hawke, a novel by Herman Wouk. My mother loved that book, and then she met a guy named Jim Hawke. She thought, Oh, if I have a kid with this man, he would have the last name Hawke! I think that was part of why she fell in love with my father.”
When you were sent the script for First Reformed, did you immediately say yes?
Well, it was written by Paul Schrader, who wrote Taxi Driver. When I first moved to New York, I saw Taxi Driver and Raging Bull on a double bill. Afterward, I went into a little bit of a funk, because I realized everything I wanted to do with my life had already been done. They had already made sense out of the universe. So when I read Paul’s script for First Reformed, I knew that he was aware of the power of movies.
Where was your first kiss?
The Hamilton Roller Rink, in New Jersey. Her name was Cindy, and she was wearing a Black Sabbath T-shirt. It was a slow skate, and she was smoking hot. We skated around, and she said to me, “Do you like Jack Daniel’s?” And I said, “Yeah. Too bad he’s dead.” She said, “Is he dead?” I thought she meant Jimi Hendrix. Then she said, “Have you ever French kissed?” And I said, “Yeah, man.” But I actually hadn’t. So we snuck off behind the Coke machines and kissed.
How was it?
Well, I’m still talking about it, and that was a long time ago

Dior Men shirt.

Photograph by Tim Walker; Styled by Sara Moonves.

Amandla Stenberg in The Hate U Give

“There was an eerie amount of similarities between my life and Starr’s, the character I play in The Hate U Give. I grew up in South Los Angeles but went to a school across town that was mostly white and privileged. Learning the language of that school, but never being quite enough for it, is both Starr’s story and my own. Like her, I learned to compartmentalize parts of myself.”
What was your favorite Halloween costume?
Last year, my girlfriend and I went as Austin Powers and Foxxy Cleopatra. I was Foxxy. In the movie, she’s played by Beyoncé in a big golden wig. So I was giving full naturalista mod vibes. I had all the clothes already, because I usually dress like I’m in the ’70s.
Do you have any new crushes?
I once said Leonardo DiCaprio in Titanic. But I’m gay, so my crushes may have shifted a little bit. I feel that if you’re into ’90s Leo, you might be on the path to being gay; he might be your entry point. When I look at all the boys that I thought were hot when I was younger, they all look like pretty girls. I was just in denial that I really wanted them all to have titties. So, now, if you’re into Timothée Chalamet, you could be gay. He’s a very pretty boy.

Miu Miu coat and socks; Charvet shirt and scarf; Manolo Blahnik shoes.

Photograph by Tim Walker; Styled by Sara Moonves.

Noah Centineo in To All the Boys I’ve Loved Before and Sierra Burgess Is a Loser

You are known as “the Internet’s boyfriend.”
Not me. The characters I play are the dream. Oh, to differentiate the actor from the character!
Who is your cinematic crush?
Carrie-Anne Moss, the woman who played Trinity in The Matrix. I’ve seen that movie maybe a hundred times, if not more.
Where was your first kiss?
In a hotel in Century City. I was staying there during pilot season, and there was a dance convention. I saw this girl named Mackenzie, and I asked her if she wanted to go to a movie with me. She said yes. It was Cowboys & Aliens, with Daniel Craig. So the movie ends, we get up, leave the theater, and we’re holding hands. I walk her to her hotel room and say, “Good-night kiss?” And we pecked. It was less than a millisecond. She closed the door, and that was that. I gave her my number, but I never saw her again. It was probably a terrible peck.

Prada pants; Centineo’s own necklace.

Photograph by Tim Walker; Styled by Sara Moonves.

Troye Sivan in Boy Erased

Boy Erased is about gay-conversion therapy, and when I read the script, I thought the movie was a period piece, because it would be impossible for this ‘treatment’ to still exist. But I found out that it is still really, really prevalent in this day and age. That was what fired me up about the film.”
Being Australian, how did you perfect your American accent?
I practiced in Ubers. I would try and get through the entire ride in an American accent, and at the end I would say, “Ha ha, did you know that I’m Australian?”
What was your first audition?
To play the young Wolverine in X-Men Origins: Wolverine, and I booked it. At the time, Hugh Jackman was the sexiest man alive, according to People magazine. I was like, “Oh, my God, I am the young version of the sexiest man alive!”

Balmain dress.

Photograph by Tim Walker; Styled by Sara Moonves.

Kathryn Hahn in Private Life

“I was very young when I decided acting was what I wanted to do with my life. I think I was in kindergarten. I remember always wanting to retreat to my room or somewhere private to play pretend by myself.”
Were you always funny?
No, I don’t think so. My family is very funny, and the dinner table was like a really tough room. You had to really be on your toes; everybody in my family is very quick, very witty.
In Private Life, you resemble Tamara Jenkins, the writer-director of the film, which is semi-autobiographical. Did you feel like you had a twin?
No. But odd things happened: I started to take on Tamara’s very specific way of speaking. And she had me wear a pair of high-waisted jeans that were like hers.

Marc Jacobs dress; Van Cleef & Arpels earrings.

Photograph by Tim Walker; Styled by Sara Moonves.

KiKi Layne wears a Saint Laurent by Anthony Vaccarello dress; Prada headband; Tiffany & Co. earrings.

Photograph by Tim Walker; Styled by Sara Moonves.

Carey Mulligan wears a Kwaidan Editions jacket; Urstadt Swan gloves. Styled by Sara Moonves.

Photograph by Tim Walker; Styled by Sara Moonves.

Hair by Malcolm Edwards at Art Partner; Makeup by Lucy Bridge for MAC Cosmetics at Streeters London; Manicures by Michelle Saunders for Essie at Forward Artists. Set design by Gary Card at Streeters London. Men’s wear editor: Sam Walker. Hair for King: Angela A. Perrantes; Grooming for Jordan: Carola Gonzalez for Malin & Goetz at Forward Artists; Hair for Jordan: Jove Edmond; Hair for Layne: Larry Sims for flawless at Forward Artists. Produced by Jeffrey Delich at Padbury Production; Production Manager: Lauren Sakioka at Padbury Production; Local Producer: Meghan Gallagher at Connect the Dots; Local Production Coordinator: Jane Oh at Connect the Dots; Photography Assistants: Sarah Lloyd, Tony Ivanov, Kyle Holmquist, Keith Coleman, Scott Froschauer; Retouching by Graeme Bulcraig at Touch Digital; Production Assistants: Michael Osborn, Nikki Patrlja, Dan Fleming; Fashion Assistants: Allia Alliata di Montereale, Nadia Beeman, Sharon Chitrit, Megan King, Brejon Golden, Jonnie Atkinson, Lindsey Hartman, Rosa Schorr; Set Assistants: Nicole McBride, Collin Lebrasseauer, Seth Powsner, Olivia Giles; Ballet Dancers: Morgan Quinn, Jaclyn Hamric, Corey O’Brien, Dominic Eustes; Tailors: Isa Kriegeskotte, Karla Yvette Miranda, Nastassia Bauta; Special thanks to Quixote Studios, Heirloom LA, Kitchen Mouse, Electric Avenue, Cast Partner.