By now, you have likely heard the story of how director Alfonso Cuarón found the actor who would star in his epic and deeply personal film, Roma: a casting search led him to the Mexican state of Oaxaca, where he met schoolteacher Yalitza Aparicio. She had never acted before, much less in a movie. Yet she would go on to play Cleo, a housekeeper and nanny for a family living in Mexico City‘s Roma district. Playing opposite Aparicio is Marina de Tavira, whose Sra. Sofía must endure an absent husband and the demands of their four children. For both, the roles were a challenge, not least of all because the story of Roma is based in part on Cuarón’s own childhood. As they explained in W‘s annual Best Performances issue, however, that personal link helped imbue the story and their performances with a sense of realism unlike any they’ve felt before. Here, they discuss the tricks Cuarón played to help his first-time actors find their motivations, their favorite music, and how it felt to bring Roma to the town Aparicio still calls home.
How did you become involved with Roma?
Yalitza Aparicio: A casting came to my hometown [Tlaxiaco, Oaxaca] and I went through various steps until I finally got to the test where I met Alfonso [Cuarón]. I was a little bit afraid, because I had never done [a movie]. But I was curious, and my sister actually forced me to audition, and then it became an adventure.
Marina de Tavira: I come from a family that has a strong theater tradition and I’ve worked in films and television in Mexico, but my work has been mostly on stage. I went through a very long casting process that lasted three months. At the end of that process, I learned that I had been auditioning for a film that was going to be directed by Alfonso Cuarón that was called Roma.
You did not know that until the end?
MdT: I did not know that. I did not know that I was auditioning for an Alfonso Cuarón film until the very day I met him.
Marina, you play the mother character in a film based on Cuarón’s childhood. Did he tell you you reminded him of his mother?
MdT: He never said that I reminded him of his mother, but he said that he invited Yalitza and me together to be involved in a very, very personal film for him. He said it was about life, and if we had time to do it…
Yalitza, how long was the shoot?
YA: For me, it was a very long process. It lasted almost six months, and I just let all the people around me pull me through it in chronological order. First I thought it was a normal process, but it was actually a very long process for me.
Marina, did he shoot it in sequence? Or try?
MdT: Alfonso shot this film in absolute chronological order. We went from day one ’til the last day of the story.
What was filming like for you, Marina?
MdT: I was the only actor in Roma with any previous experience. It was really challenging. First-time actors—and many of them were children—have a completely different way of working. Alfonso would play tricks on us—make things happen that we were not expecting. That way, he made real life appear on set.
Had you ever driven that big a car?
MdT: [Laughs] No, never. I drove three different cars, and each one of them had very complex way of functioning. I don’t think those cars can fit in Mexico City anymore.
Yalitza, what was your favorite part of playing the character?
YA: The thing I enjoyed the most was being on set. I really liked observing how everybody worked and learning about the process. It truly transported me into another world.
What kind of things did [Alfonso] throw at you that were surprising?
YA: I’m mostly impressed by his vision and the fact that we would be shooting a scene and he was so attentive to details that were completely imperceptible to me. He really is quite magnificent in the way that he does things.
Marina, was there an intensity about the fact that you knew it was autobiographical?
MdT: At the beginning, I felt a very intense responsibility to be portraying his life and his memories. But as we went through the process, these memories became our memories and we embraced the project as if it was our own life and, and connected with our own experiences.
Yalitza, have you seen any other Alfonso Cuarón films?
YA: I had not seen any of his films. I actually didn’t know who he was. I was even a little bit embarrassed when I first met him, to tell him that no, in fact I didn’t know who he was or what movies he had made. And he asked me, actually, not to watch any of his films. He didn’t want me poisoning my mind with any images or ideas.
MdT: I’ve known Alfonso’s work for quite a long time. I attended the Y Tu Mama Tambien premiere in Mexico. I was sitting in the movie theater, not imagining that one day I would work with him.
Yalitza, what was it like to watch the movie in Tlaxiaco?
YA: It was quite an incredible experience to see it with people from my community. A lot of people came up to me afterward and told me that they really saw themselves, and almost felt like it was them in the film living through those experiences.
And Marina, are you a music person?
MdT: I absolutely love music. It is the one thing that connects with you without processing it rationally. It just grabs you.
YA: I love music very much. In fact, I like music from the era that the film is made in. Mostly because it was the kind of music that my parents used to listen to at the house.
What was the first album you ever bought?
MdT: The first album I ever bought was a vinyl. And it was a little cricket that sings for children. I had a box with all the vinyls and I would just look at them back and forth for hours in my room.
Alfonso sometimes makes a little soundtrack for each person to sort of put them in the place of the movie. Did he do that for Roma?
MdT: Alfonso really wanted us to work with no external opinions from him. Just go really in a very personal journey. So I made my own soundtrack, and I was really surprised when I saw the film that many of the songs that I chose and that I was listening to while I was waiting to be on set are actually in the film, like “I Don’t Know How to Love Him” from Jesus Christ Superstar.
Yalitza, was there anything in particular that you learned when you made this movie?
YA: Actually, the thing that I learned was how to speak Mixtec, which is a language that I had grown up listening to, but I didn’t actually know how to speak. Nancy, who plays Adela in the film, was actually my teacher.
And Marina, same question for you. Was there any particular thing that brought you to Sofía more closely?
MdT: Well, I had to learn how to drive a car where you change the gears. That scene where the car gets stuck between the two trucks was incredible because I kept going through perfectly. Alfonso kept putting [the trucks] closer and closer, because somehow I just got through them.
Best Performances: Featuring Nicole Kidman, Claire Foy, Rami Malek, and 29 of Hollywood’s Biggest Stars
Claire Foy wears a Burberry top, corset dress, socks, and shoes; Charvet scarf. Emily Blunt wears a Burberry dress, shirt, socks, and shoes; stylist’s own top.
Kiki Layne wears a Prada top and headband; Tiffany & Co. earrings. Jonah Hill wears The Row jacket, shirt, and tie.
Margot Robbie wears a Chanel cardigan and skirt; stylist’s own top. Michael B. Jordan wears a Calvin Klein 205W39NYC cardigan and vest; Brioni trousers.
Nicole Kidman wears an Armani Privé dress; Cartier earrings; Cornelia James gloves; stylist’s own veil.
Mahershala Ali wears a Prada suit; his own top and bracelet. Amy Adams wears a Givenchy dress and belt.
Eddie Redmayne wears a Givenchy shirt and pants. Rami Malek wears a Saint Laurent by Anthony Vaccarello shirt.
Saoirse Ronan wears a Celine by Hedi Slimane dress.
Nicole Kidman in Boy Erased and Destroyer
“In Destroyer, I play a cop who’s been through a lot—she’s very American, very angry, distressed, and disturbed. I wasn’t the first choice for that role—it went to somebody else and she didn’t want to do it. I read the script and put my hand up and said, ‘What about me?’ ” Did the wardrobe contribute to the character? We took so long to find the leather jacket that I wear in pretty much every frame of the film. I became so obsessed with that jacket, I would wear it at home. I put it on first thing in the morning. My kids visited the set and were shocked at the way I looked. You know, I’ve been working as an actor since I was 14 years old. It’s a choice, but it’s also a calling. Sometimes, I kind of try to move away, but it always pulls me back.
Comme des Garçons coat, T-shirt, skirt, tights, and boots; headpiece by hairstylist Malcolm Edwards. Inflatable latex costumes by artist Sasha Frolova (throughout).
Amy Adams in Vice
“My role in Vice is Lynne Cheney, Dick Cheney’s wife. It’s a huge responsibility to play a living person. I didn’t meet Lynne, and that’s interesting too—playing somebody who’s alive but whom you’ve never met. Plus, I age from 20 to 70 in the film, so that was another challenge.” Did her conservative politics affect your performance? I really just absorbed her point of view. Whether I agree with it or not doesn’t really matter. To get into character, I would have long debates about policy and politics as Lynne Cheney with our director, Adam McKay. I called him many names. I teased him about wearing shorts on set and how that was disrespectful. But I didn’t swear, because Lynne wouldn’t swear.
Valentino gown; Valentino Garavani earrings; Marc Jacobs boots.
Saoirse Ronan in Mary Queen of Scots and On Chesil Beach
“This is the first time I’ve played any queen or monarch. Mary had to hold herself in a certain way when she was presenting herself at court, but when she was on her own, in her intimate quarters, she was quite different. I began to feel like a bit of a boss. A boss queen!” Did you learn any royal skills? Yes, I learned to ride. My horse in the film was also Wonder Woman’s horse—his name is Prince, and he is the biggest diva I’ve ever met. Prince doesn’t do anything for anyone, especially me, and had a nervous cough that you’d hear right before we’d do a take. Everything I did was for that horse, just to get his approval.
Balenciaga dress and shoes.
Lakeith Stanfield in Sorry to Bother You
“The director of the film, Boots Riley, had been following me for quite a while before I finally met him. He handed me the script for Sorry to Bother You literally put it in my hands. I was like, Who is this strange person? When I read the script, I realized I had no idea how deeply strange he is. But his strangeness revealed itself to be another form of beauty.” Growing up, who was your cinematic crush? Jennifer Love Hewitt. I loved her. I couldn’t comprehend anything, except that she was beautiful. What’s your favorite Halloween costume? I’m always the Joker. Every year. Soon there will be a black Joker movie, and it will be me.
Maison Margiela Artisanal Men’s Designed by John Galliano suit; Tiffany & Co. earrings; John Hardy cross necklace; Chrome Hearts thick chain; Hoorsenbuhs long chain; Stanfield’s own rings.
Margot Robbie in Mary Queen of Scots
What was your first red-carpet outfit? I was 18. The Australian equivalent of the Emmys is called the Logies, and I was nominated. It was my big moment, the biggest thing that had happened to me. So I went all out on the dress: It was very short at the front, long at the back, lots of layers, bright colors, and shiny fabric. It was, like, orange, black, orange, black—with a big bow at the back. I had stipple-looking hair, and I was very tan. It was…a look. I don’t regret it, because I was 18 and having fun. I can dress boring for the rest of my life.
Staud coat; Giu Giu turtleneck; Vex Clothing tights; Urstadt Swan gloves; Manolo Blahnik shoes; stylist’s own veil.
Timothée Chalamet in Beautiful Boy
“Beautiful Boy [which is about a father and his son, who is addicted to drugs] was a script they’d been trying to get made for 10 years. Every guy actor my age had gone up for it. I’ve been lucky, but a lot of the bigger Hollywood movies like Spider-Man, things like that, I didn’t get. So, for Beautiful Boy, I did a lot of research and read about drugs, and I brought the books to my first meeting with the director. I could see in his eyes that he was thinking, This kid is nuts. But I felt this movie—the subject of drug addiction—was so important. I wanted to make an anti-glorification-of-drugs movie. And I think we did.” Did you meet Nic Sheff, whom you play in the film? Yes. I met him a week before we started shooting. And there was nothing about Nic that fit my stereotype of an addict. That was the learning grace of this movie: Nic is alive and well, but the reality is, it’s a day at a time. You never really beat it. You lost so much weight. Was your mom worried about you? My mom was worried! I lost 18 pounds. First, I’m in a movie where I was having sex with a peach, and then it was like, “I got another movie!” She said, “Great!” And then I had to tell her what it was about.
Claire Foy in First Man
Growing up, what was your favorite toy? I had a disgusting pillow until I was about 21. Shamefully, I took it to university. Do you get nervous before filming? Oh, yes, I get nervous. It’s a gradual process of trying to work yourself up to being brave enough to be on set. You always worry that everyone’s going to say, “Ooh, we’ve made a terrible, terrible mistake.” What was the name of your first pet? Thumper. And the first street that you lived on? I don’t know. So you’re a one-name sensation: Thumper is your porno name. Thumper it is.
Burberry cape; Falconiere bonnet.
Eddie Redmayne in Fantastic Beasts: The Crimes of Grindelwald
What was the first record you bought? Bon Jovi. “Livin’ on a Prayer” is such a good song. I love a good emotional ballad. The greatest YouTube hole to go down is Leona Lewis when she was on The X Factor. Every week, she just came and delivered. Occasionally she’d take her shoes off. Do you watch other reality shows? I’m quite excited because The Hills, which is my original reality-TV guilty pleasure, is coming back. I had a bit of a love-hate relationship with Heidi Montag. Do you have a secret skill? Yes. I’m incredibly good at being early. I’m always the person who gets to the airport four hours early. I drive everyone crazy.
Dior Men jacket and pants; Urstadt Swan gloves; Givenchy boots.
Michael B. Jordan in Black Panther
Do you have a favorite movie villain? For me, it’s a tie between Heath Ledger as the Joker and Michael Fassbender as Magneto. Villains, like Erik Killmonger in Black Panther, are the most interesting characters. They are the ones you can empathize with—they want you to not like them, but you can still understand their motivation.Even though you’re the villain in Black Panther, do people on the street still say “Wakanda forever” to you? They don’t immediately realize that my character is not exactly pro-Wakanda. Midway through saying something, it registers: Oh, he wasn’t really with Wakanda. But by then they’ve already committed.
Is it difficult to act when you’re basically naked? I’m always naked. So, no.
Joanna Kulig in Cold War
“The director, Pawel Pawlikowski, wrote the part of Zula for me. I knew that the inspiration for the character came from his mother. Zula is her real name, and, like me, she was blonde. I saw her photo.” Was that the hardest part about portraying the character? No. The hardest part was the dancing. In general, I have a problem with coordination. I spent six months in a Polish folk ensemble learning how to dance. We partied together, we drank together, and we’d dance for six hours during a concert. It was like a family, and I started to build the character of Zula. Soon, I had her thoughts and personality. And I finally learned how to dance!
Chloé dress; Louis Vuitton hat.
Elizabeth Debicki in Widows
“I was a dancer for many, many years, and I thought I was going to be a ballerina. When I was about 12, I went to a summer school for the Australian ballet and I was already taller than my teacher. So I remember saying to myself, I’m going to have to rethink this plan.” Did you audition for Widows? Yes, I put myself on tape in my friend’s garage. How glamorous! I remember wearing a lot of eyeliner. I picked out some hoop earrings. And, funnily enough, in the finished film, she ended up looking a lot like she did in my test.
Marc Jacobs coat; Noel Stewart headpiece; Cornelia James gloves; Falke tights; Vivienne Westwood shoes.
Regina King in If Beale Street Could Talk
“I took a break from making films. My son, Ian, was getting to the age, around sixth grade, when kids are starting to spread their wings, and everything that was being offered to me was outside of Los Angeles, except for TV. I didn’t want to travel to make films. So I like to say I was one of the first movie actors who made the leap into television.” Do they call Beale Street your comeback film? I like to use the LL Cool J song: “Don’t call it comeback. I been here for years.”
Givenchy dress; Graham Tyler hat; Linda Farrow sunglasses.
Willem Dafoe in At Eternity’s Gate
“I painted in a movie called To Live and Die in L.A., but it wasn’t about painting—it was more about counterfeiting and killing people. In playing Vincent van Gogh, painting was the key to the character. I had to know what I was doing. The director, Julian Schnabel, would say, ‘Hold the brush like a sword’ and ‘There’s no such thing as a bad mark.’ I began to think that painting is about making an accumulation of marks. Acting is the same: You create a character scene by scene. It’s a series of marks that start a rhythm, and that rhythm sends you where you need to go.” Who is your cinematic crush? Warren Oates. When I saw him perform, I thought, That’s not an actor, that’s a man. It kind of broke my heart to find out he was actually a trained actor.
Thomasin Harcourt McKenzie in Leave No Trace
“I play a girl who is with her father in the wild, far away from civilization. Since I live in New Zealand and couldn’t fly to America, I auditioned on tape. We had a lot of props: a bucket, a toothbrush, a sleeping bag, and a rabbit named Coco. I also ran through the New Zealand bush with a GoPro in my mouth and sent that off as well. I didn’t meet the director in person. Six months later, on Christmas, I found out that I had gotten the part.”
Moschino Couture dress; Capezio tights; Sergio Rossi shoes.
Steven Yeun in Burning
“I like filming death scenes. When I was on The Walking Dead, I had known for some time about my character’s death. I was really excited for that day—I was looking forward to getting my skull bashed in. In Burning, my death scene was really fun. That was the only time it snowed, which was unexpected, and it added some magic to the moment. Everybody fantasizes about what it would be like to die. If I could make a career out of being killed, it would be okay.” Do you have a secret skill? Yes. I’m really good at getting parking spots. I’m so confident that the spot is going to be there, that it’s always there. Right in front.
Gucci jacket, shirt, pants, hat, and shoes; Charvet tie.
Elsie Fisher in Eighth Grade
“I have been acting since I was 5. My first job was doing the voice of Agnes, the youngest daughter, with the big ponytail on top of her head, in Despicable Me. I was in the sequel, but I was too old for Despicable Me 3, because I can’t do my 5-year-old voice anymore.” In Eighth Grade, there is a pool-party scene that is nerve-wracking. You wear a very awkward green bathing suit. Yes, it is anxiety inducing. I did not pick the bathing suit. They wanted a lime green one so my character would stick out. I still have it. I mean, I don’t go to the pool that much, but that’s my bathing suit now. I love it.
Gucci dress; Eugenia Kim hat; Sophie Buhai necklace.
Jonah Hill in Don’t Worry, He Won’t Get Far on Foot
In the film, your character, Donny, has a fantastic fashion sense. One of the things that inspired me was a photograph of Yves Saint Laurent in Morocco in the ’70s. I looked at it and was like, Oh, level-10 Marrakech! So Donny wears a lot of caftans and Moroccan stuff in the movie—kind of our Tom Petty and Yves Saint Laurent level-10 Marrakech. He also has a very calm, Zen outlook on life. Donny had conquered a lot of the things that were dark and demonic about himself, and he was able to be peaceful and calm. That was a joy to play. I miss being Donny— even his long blond hair. What was your most memorable birthday? My mom once sent a mariachi band to play my favorite song, “Feliz Navidad.” It was winter in New York and eight mariachis played my song. I was like, “Am I hallucinating right now?”
Raf Simons coat; the Row T-shirt and jeans; Paul Smith boots.
Kiki Layne in If Beale Street Could Talk
How did you find out you had the part in Beale Street? It was nine in the morning and Barry Jenkins, the director, called and woke me up. He just got to talking and didn’t introduce himself. Finally, he said, “Girl, do you even know who you’re talking to?” He went on to tell me that they were giving me the role! I was trying to rush him off the phone so I could really go crazy and cry and call my mama. What is your go-to karaoke song? “Drunk in Love,” by Beyoncé. Especially if you’ve got somebody that’ll hold down Jay Z’s part. That’s definitely the move. I feel like you have mood hair: Sometimes it’s long, sometimes it’s short—up, down. Oh, yeah, we gotta switch it up. You never really know how it’s gonna be: Will it be curly? Straight? And watch out when those colors start coming in!
Saint Laurent by Anthony Vaccarello dress and boots; Prada headband; Tiffany & Co. earrings.
Carey Mulligan in Wildlife
“Paul Dano, who cowrote and directed Wildlife, called me and said he was going to send me the script. I was kind of flattered that he thought I could play Jeanette.” She’s a tormented character. Did you have trouble shaking her off at the end of the day? No. When you’ve got kids, they expect you to come home and be Mom, not some weird drunk woman. At the end of the day, I take off that hat, leave that person at work, and come home and watch the Food Network. I love Chopped. They make disgusting things, but I do like Bobby Flay. Chopped and Bobby Flay are the perfect antidote to films like Wildlife.
Michael Kors Collection dress; vintage hat from New York Vintage, New York; Tiffany & Co. earrings; Carolina Amato gloves; Capezio tights; Jimmy Choo shoes.
Yalitza Aparicio (far left) in Roma
“The shoot for Roma lasted six months. We shot in chronological order. It was a very long process for me. I had not seen any of Alfonso Cuarón’s films. I actually didn’t know who he was. Alfonso asked me not to watch any of his films until we were done with the filming. He didn’t want me poisoning my mind with any images or ideas.”
Marina de Tavira in Roma
“I was the only actor in Roma with any previous experience. It was really challenging. First-time actors—and many of them were children—have a completely different way of working. Alfonso Cuarón would play tricks on us—make things happen that we were not expecting. That way, he made real life appear on set.”
From left: Valentino gown. The Row gown; Tiffany & Co. earrings.
Emily Blunt in Mary Poppins Returns
“The hardest thing about playing Mary Poppins was learning how to dance. One day, you’re handed a hat and a cane, and I was like, Oh, my God. And, also, the initial idea of taking on a character that iconic was daunting. But once I got over my fears, it was deliciously fun.” What was your first red-carpet outfit? It was for My Summer of Love, and I was far too tanned. I was wearing a very bright yellow dress. I always laugh at how sweaty I looked. Horrible. Who is your girl crush? Rihanna. I mean, come on. She’s smoking.
Louis Vuitton coat; Eugenia Kim hat; Manokhi gloves.
Rami Malek in Bohemian Rhapsody
“The first thing I auditioned for I almost wasn’t allowed to audition for. I got a call from a casting director, and she asked to speak to the agent representing Rami Malek. I said, ‘Uh, speaking.’ She kind of laughed and said, ‘Call me when you have an agent.’ I go, ‘You’re already laughing—give me a shot.’ It was three lines in Gilmore Girls. I convinced her to let me read, and I got the part.” Besides in the film, have you ever sung any Queen songs in public? In Japan, with our version of the band, we dressed up in animal onesies and did “Bohemian Rhapsody,” like the original video. It was filmed, and I’m sure someone will get drunk and throw it out there into the ether.
Officine Générale pants; Atsuko Kudo Couture Latex Design gloves.