BEST PERFORMANCES

James Franco Says Staying In Character as Tommy Wiseau While Directing The Disaster Artist “Helped the Vibe”

Apparently Seth Rogen warned the other actors before they showed up on set.


Photographs by Juergen Teller; Styled by Edward Enninful

James Franco and Tommy Wiseau may not seem to have much in common: the former is an Oscar-nominated actor, a director, a writer and a sometimes professor, while the latter is the mysterious and peculiar creator of the disasterious cult-classic The Room. One’s an insider, the other’s an outsider. Franco is from California, while Wiseau’s origins are unknown. But turns out that he and Wiseau share more than a love of James Dean: they both arrived in L.A. around the same time with hopes of becoming actors, attended acting classes in the Valley, ate at Ernie’s Taco House, and discovered how challenging it can be to break into Hollywood.

Franco discovered Wiseau’s story through Greg Sestero’s 2013 book The Disaster Artist: My Life Inside The Room, the Greatest Bad Film Ever Made (“I’m like the only guy that came to The Room through a book.”) and decided to make it into a film. “It was such an incredible, bizarre story, unlike any other Hollywood story, but underneath, it was so universal and moving, because it’s the story of outsider artists trying to achieve their dreams,” Franco says.

Here, Franco explains how he convinced Wiseau to let him star in The Disaster Artist, why he stayed in character throughout the shoot and more.

When did you first see The Room?

I was late to the game on The Room. There was a billboard that Tommy [Wiseau] paid for himself to have up on Highland [in Los Angeles] for five years, and it was him with a lazy eyelid sort of glaring down at you, and it said The Room. And then there was a phone number, and it was like, “What? What movie has a phone number on it?”

I just always thought it was this weird cult, or some odd L.A. thing, like, “Call the number, and this crazy, weird vampire can be in your movie, or something.” And then the book [The Disaster Artist] came out four years ago. The Disaster Artist was written by one of the other actors in it, Greg Sestero, who my brother [Dave Franco] plays in our movie, and this guy Tom Bissell. I’m like the only guy that came to The Room through a book. I started reading the book, and before I was halfway through, I just knew. It was such an incredible, bizarre story, unlike any other Hollywood story, but underneath, it was so universal and moving, because it’s the story of outsider artists trying to achieve their dreams.

So, then I went to a screening. I was in Vancouver at the time, working on The Interview with Seth [Rogen], and I went to a midnight screening in Vancouver, and it was incredible. It was an event; there are spoons, and footballs, and tuxedos, and everyone yelling at the screen, and lots of weed. It was just incredible.

James Franco wears a Balenciaga shirt; his own pants.

Photographs by Juergen Teller; Styled by Edward Enninful

When did you first meet Tommy?

I learned I had to get not only the rights of the book, but I had to get Tommy and Greg’s life rights. And so, the first time I ever talked to Tommy was on the phone to get his life rights, and I was like, “All right, what’s up, man?” I didn’t want to suggest that I play him in case he didn’t like that idea. I had no idea what he was gonna think about that and I didn’t have the contract yet, so I was very sheepish. He goes, “So, who, so who play me?” And I was like, “Well, I don’t, psh, I don’t know Tommy, I don’t know.” And he’s like, “Well, how ’bout Johnny Depp?” And I laughed. He was immediately, like, “Why are you laughing?”

And I’m like, “Well, Johnny Depp’s like the biggest movie star in the world. I don’t know.” And he was like, “Now, we go, we go back to before. I said Johnny Depp and you laugh. Why you laughing?” I’m like, I’m like, “All right, Tommy, I’ll ask Johnny Depp. We’ll see if he’ll do it.” And he’s like, “Yeah, you don’t go down that road, you don’t know at the end of alley, you know?” And I’m like, “Very wise, Tommy. Yeah, very, very wise.”

How did you end up playing him in the film?

I didn’t know that Tommy was a huge James Dean fan, but I guess Tommy had watched my TV movie of James Dean many times. Greg goes, “How ’bout you, James?” And I’m still sort of sheepish, and like, “Well, yeah, maybe…” – and Tommy goes, “Yeah, James, I seen your stuff. You know, you do some good things, you do some bad things.” I’m like, “Okay, thanks, yeah. Coming from you, Tommy, thanks, man.”

And he goes, “Yeah, maybe I’ll direct you in a movie someday, huh?” And I’m, “Yeah, okay. Okay, maybe.” But then later I learned that the two people that he wanted were Johnny Depp and me. So, it was we were strangely meant to be. It was amazing, because Tommy’s hero was James Dean, and one of my heroes was James Dean. We both kinda came to L.A. around the same time, and so, when I first read the book, I saw that idea that Tommy is unlike any other person. This story is unlike any other story, but underneath, I could completely relate. I realized that this is an incredibly personal story for me. Even when we were like going in location scouting, I’m like, “Oh my – this is the Ernie’s Taco House where I used to eat when I was a struggling actor.” There are these little acting classes in the Valley where I went, and it was like, “This is strangely like my story.”

What was the film’s premiere like?

When Tommy premiered The Room, he premiered it at this theater on Beverly called Laemmle’s Fairfax. He had made all these t-shirts for The Room, and he drove to the Chinese Theater in his stretch white limo, popped out of the sunroof, and threw his Room shirts at everybody outside the Chinese Theater that night said, “Hi, don’t go see that movie, come, come see my movie.”

And then there we were 14 years later, at the Chinese Theater, premiering a movie about his life. It was kind of incredible. When I introduced the movie, I was like, “You know, when Tommy introduced his movie 14 years ago, he said, ‘This my movie. This my life. Be cool.'” And I said, “I’ll say the same thing. ‘This my movie. This my life. Be cool.’ ‘Cause it’s my story. In a weird way.”

Gal Gadot wears Giorgio Gadot wears Giorgio Armani jacket; Fabergé necklace; her own earring. James Franco wears Giorgio Armani jacket, shirt, and bow tie.

Photographs by Juergen Teller. Styled by Edward Enninful. Set design by Peter Klein at Frank Reps. Hair for Gadot and Franco by Yusef for Rich Hair Care at Factory Downtown; Makeup for Gadot and Franco by Fulvia Farolfi for Chanel; Manicures by Michelle Saunders for Essie at Forward Artists.

In addition to starring in the movie, you also directed the film. Did you stay in character the whole time, even when you were directing?

I famously stayed in character, both in front of the camera and behind the camera, when I was directing.

So, you talked to your own brother as Tommy?

[Laughs] Yeah. Well, I kinda didn’t even realize I was doing it, but I’ve been thinking about it. You know, I went through two and a half hours of makeup and prosthetics, and putting on the wig, and everything every morning. I just plain looked different, and people just treated me differently, you know what I mean?

This is probably the only time in my whole career I’ll be directing a movie, and acting in it, playing a guy that’s directing a movie that he’s acting in. It was so much easier to just simplify everything, and be one dude throughout. And I think it helped the vibe on the set. It was like, “These actors were playing actors in his movie,” and to be Tommy, I think, just created an atmosphere.

I learned later, my brother and Seth would warn people. They’d be like, “All right, before you go on set, just realize it’s a little weird. James is directing as Tommy.” I didn’t know that there was a whole prep before they got to set, but the prep didn’t help. Every time a new cast member would come to start work there was like a period of adjustment. They would show up, and just be like, “What the F? Like, this is insane.”

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Jennifer Lawrence wears Dior dress; Dior Fine Jewelry earrings, and ring. Beauty: Dior. Emma Stone wears Louis Vuitton dress. Beauty: L’Oréal Paris.

Photographs by Juergen Teller. Styled by Edward Enninful. Set design by Peter Klein at Frank Reps. Hair for Lawrence by Jenny Cho at Starworks Artists. Hair for Stone by Mara Roszak at Starworks Artists. Makeup for Lawrence by Genevieve Herr. Makeup for Stone by Rachel Goodwin at Streeters. Manicures by Michelle Saunders for Essie at Forward Artists.

Gal Gadot wears Giorgio Gadot wears Giorgio Armani jacket; Fabergé necklace; her own earring. Beauty: Revlon. James Franco wears Giorgio Armani jacket, shirt, and bow tie.

Photographs by Juergen Teller. Styled by Edward Enninful. Set design by Peter Klein at Frank Reps. Hair for Gadot and Franco by Yusef for Rich Hair Care at Factory Downtown; Makeup for Gadot and Franco by Fulvia Farolfi for Chanel; Manicures by Michelle Saunders for Essie at Forward Artists.

Daniela Vega wears Salvatore Ferragamo dress; Tiffany & Co. earrings; Gianvito Rossi shoes. Beauty: Covergirl. Robert Pattinson wears Dior Homme tuxedo, shirt, and bow tie.

Photographs by Juergen Teller. Styled by Edward Enninful. Set design by Peter Klein at Frank Reps. Hair for Vega and Pattinson by Yusef for Rich Hair Care at Factory Downtown; Makeup for Vega, Pattinson by Fulvia Farolfi for Chanel; Manicures by Michelle Saunders for Essie at Forward Artists.

Marbot Robbie wears Louis Vuitton dress; Wing & Weft Gloves gloves. Beauty: Lancôme. Nicole Kidman wears Dior dress; Wing & Weft Gloves gloves. Beauty: Neutrogena.

Photographs by Juergen Teller. Styled by Edward Enninful. Set design by Peter Klein at Frank Reps. Hair for Robbie by Yusef for Rich Hair Care at Factory Downtown. Hair for Kidman by Mara Roszak at Starworks Artists; Makeup for Robbie by Pati Dubroff at Forward Artists; Makeup for Kidman by Fulvia Farolfi for Chanel; Manicures by Michelle Saunders for Essie at Forward Artists.

Tom Hanks wears Tom Ford suit; Emma Willis shirt; Hanks’s own jewelry. Mary J. Blige wears Versace dress; Chopard earrings; De Beers ring. Beauty: MAC Cosmetics.

Photographs by Juergen Teller. Styled by Edward Enninful. Set design by Peter Klein at Frank Reps. Hair for Blige by Randy Stodghill at Opus Beauty; Makeup for Blige by D’Andre Michael; Grooming for Hanks by Barbara Guillaume at Forward Artists; Manicures by Michelle Saunders for Essie at Forward Artists.

Saoirse Ronan wears Chanel dress; Tiffany & Co. earrings; Jimmy Choo pumps. Beauty: Chanel. Andrew Garfield wears Prada suit and top; Converse sneakers.

Photographs by Juergen Teller. Styled by Edward Enninful. Set design by Peter Klein at Frank Reps. Hair for Ronan and Garfield by Yusef for Rich Hair Care at Factory Downtown; Makeup for Ronan and Garfield by Fulvia Farolfi for Chanel; Manicures by Michelle Saunders for Essie at Forward Artists.
Photographs by Juergen Teller; Styled by Edward Enninful

“This year on Halloween, my daughter and I went trick-or-treating, and I had on this huge mask so I could see everyone but they couldn’t see me. Whenever I saw a Wonder Woman costume on a girl or a boy, it was so exciting. My daughter, who was dressed as a unicorn zombie, would run up to me and say, “Did you see that Wonder Woman?” They were everywhere!”

Gal Gadot wears Moschino Couture dress; Fabergé ring; Off-White c/o Jimmy Choo shoes.

Photographs by Juergen Teller; Styled by Edward Enninful

“[Jennifer Lawrence] came to see Cabaret and both of my contacts popped out of my eyes at the same time and my prescription is -900, which, if you know what that means, is like…I cannot see. So, they had to drag me off the stage in the dark and she came backstage afterwards and I was like, ‘I couldn’t see anything! It was garbage! It was a disaster!’ And she was like, ‘Enough, enough. I’m your dance mom. You need to calm down.’”

Emma Stone wears a Louis Vuitton dress; Cartier earrings.

Photographs by Juergen Teller; Styled by Edward Enninful

“I am Vietnamese, and we don’t celebrate birthdays. My parents don’t actually know their birth dates—they just go by their signs. When somebody asks you how old you are, you say, ‘I’m born this month in the Year of the…’ I was born in the Year of the Sheep. Sheep don’t like to be the center of attention, and they don’t like being told what to do. That pretty much sums me up.”

Hong Chau wears an Etro dress; Chanel Fine Jewelry earrings; Tiffany & Co. ring.

Photographs by Juergen Teller; Styled by Edward Enninful

“I’ve had a flirtation with Winston Churchill for years; there’s been a book of famous Churchill quotes on my bookshelf since childhood. To me, he was the man who won the war. And yet, when I was first asked to play the part, I thought, Don’t be ridiculous, and turned it down. But they came back, and it felt right. My wife said, ‘Look, you get to stand in Parliament and say these great words. What have you got to lose?’”

Gary Oldman wears a Canali suit; Boss shirt and tie.

Photographs by Juergen Teller; Styled by Edward Enninful

“I always joke that Jason Dixon, the character I play in Three Billboards, is Barney Fife meets Travis Bickle. I spent a lot of time trying to perfect his southern Missouri accent. I did ride-alongs with a cop down there—he had a great twang. Accents should be practiced as if you’re drunk. Actors get a little tense when they have to do an accent. Drunkenness relaxes everything.”

Sam Rockwell wears a Marni trench; Editions M.R shirt; Simon Miller T-shirt; Huntsman pants; Rolex watch; Church’s shoes.

“My character in The Meyerowitz Stories is a sweet family girl, but when she sends films she makes in school to her family, you see her wild side. I’m naked in most of those films. I sat next to my dad at the premiere, and that was probably the most uncomfortable thing in my life. To see myself 75 feet tall and naked was not easy. I sank into my chair and heard my dad kind of laugh nervously. We pretended those scenes never happened.”

Grace Van Patten wears an Alberta Ferretti dress; her own jewelry.

Photographs by Juergen Teller; Styled by Edward Enninful

“Being an actress, for me, is about my own transition. It’s about looking for answers. It’s about trying to survive in my life and also for the lives of others who face similar challenges. Life is scary, but art is not scary.”

Daniela Vega wears a Max Mara dress; David Webb earrings; Piaget necklace; Chanel Fine Jewelry ring (right hand); Tiffany & Co. bracelet and ring (left hand); Gianvito Rossi shoes.

Photographs by Juergen Teller; Styled by Edward Enninful

“My husband is an artist, but he still has a hard time watching me sometimes. During The Killing of a Sacred Deer at the Cannes Film Festival, he was both hypnotized and shattered. When he hears me scream or cry from a certain place in my soul, it’s almost like it goes straight into him. His brain and heart don’t discern between acting and real life.”

Nicole Kidman wears a Prada top and skirt; Chanel Fine Jewelry ring; Jimmy Choo pumps.

Photographs by Juergen Teller; Styled by Edward Enninful

Where was your first kiss? This is going to sound like a murder story, but it was in the woods, outside of a baseball park. I had lost my turtle. Curtis, the guy I kissed, found it.

Was that your first pet? No, it was a schnauzer named Ozzie. He hated us so much. He never wanted to be in the same room with us.

So what’s your porno name—first pet plus first street name? Ozzie Ormond.

What was your favorite Halloween costume? A picnic table. My mom wouldn’t let me be a witch or a ghost or anything demonic, so I cut a hole in a plastic cloth and went as a picnic table. The problem was I had a crush on this guy named John, and I was so pumped for Halloween because it was our chance to interact. And then I put my face in the tablecloth and was like, “Hi, John. Are you my boyfriend?”

Jennifer Lawrence wears a Dior dress; Dior Fine Jewelry earrings and ring.

Photographs by Juergen Teller; Styled by Edward Enninful

“When I first read the script for Get Out, I thought, Are you allowed to do this? Are they really going to let this black guy kill all these white people? I think the most fascinating art pieces come at a price to the person making them. And this movie took a risk. On opening night, I went to see it in a theater in the hood in Atlanta. The crowd clapped, they cheered, they yelled, ‘Get out, man! Yo—get out!’ It was all the stuff that we hoped the audience would say.”

Daniel Kaluuya wears a Gosha Rubchinskiy x Adidas Football sweatshirt and sweatpants; ’47 hat; Gucci socks; Kaluuya’s own sneakers.

“I booked The Florida Project when I was 6. I’m 7 now. It was really fun because during shooting I got to eat ice cream! I want to start my own YouTube channel, and the name of it will be I Am Crazy for Ice Cream because I am crazy for ice cream. I’m also so into fashion. I wear shorts in the movie, and they were so short. It was a struggle getting them on. Now, I’m like, ‘Mom! Where are my skirts? No more shorts!’”

Brooklynn Prince wears a Baby Dior dress; La Coqueta shoes.

Photographs by Juergen Teller; Styled by Edward Enninful

“I’m naked quite a lot in Beach Rats, and it’s a little strange to act when you’re naked. When the boom operator is standing over you, and you’re not wearing anything, it’s awkward. But, in the end, I didn’t find it difficult. I’m pretty comfortable with my body. Not in an ‘I’m happy to flaunt it for £5’ kind of way, but it does go deep into the psychology of someone trying to figure out their own sexuality, and their identity.”

Harris Dickinson wears a Calvin Klein 205W39NYC shirt, pants, and boots.

Photographs by Juergen Teller; Styled by Edward Enninful

“As an actor, people put you in categories. It’s ‘Oh, she has an accent,’ or ‘She doesn’t have an accent,’ or ‘She can do this accent,’ or ‘No, she can’t.’ They’ll say, ‘She’s a pretty blonde, so I don’t know if we can see her in a comedy.’ So I know that for Fatih Akin to pick me was a big risk because he’s very well known in Germany as a director who casts unknowns or people he discovers who are not actors at all. In the beginning, he got a lot of backlash for it. And, in truth, I don’t think I could have played this character five years ago. Now I’m ready to shed any beauty look. I want to be stripped of any pretense, of any glamour.”

Diane Kruger wears a Rosamosario romper; Christian Louboutin shoes.

Photographs by Juergen Teller; Styled by Edward Enninful

“When I was 14, I auditioned for an Off Broadway play. The scene was about a bris, the Jewish tradition of a child having the tip of his penis snipped off. Being the nice Jewish kid that I was, I did not know what a bris was, and I decided to pronounce it brie. Bris as brie. So I did the monologue, and, at the end, the director said, ‘Thank you very much, and it’s pronounced bris.’ I did not get the part.”

Ben Stiller wears a Gucci coat; Olatz pajamas.

Photograph by Juergen Teller; styled by Edward Enninful

“When I was 6, my favorite film was Robin Hood: Men in Tights. It’s got a lot of adult jokes, and it was really inappropriate for a child to see. In school, they asked us, ‘If you were to make a potion, what would you put in it?’ Even then, I could recall lines of movies, and I said, ‘The testicles of a newt!’ I got called up to the front of the class and was asked why I put testicles in my potion. I had no idea what testicles were—I just loved the film.”

Margot Robbie wears a Dolce & Gabbana top, shorts, and shoes.

Photographs by Juergen Teller; Styled by Edward Enninful

“I was late to the game on The Room, which is considered by many to be the worst movie of all time. For years, I would see this billboard in L.A. that Tommy Wiseau, the actor and star of the movie, had paid to have up on Highland Avenue. It was a picture of him, sort of glaring down at you, with the words THE ROOM and a phone number. I was like, ‘What is this? Do you call the number and this crazy, weird, vampirelike guy can be in your movie?’ But then I started reading The Disaster Artist, which was written by one of the other actors in the movie, and before I was halfway through, I just knew it was such an incredible, bizarre story, unlike any other in Hollywood, about outsider artists trying to achieve their dreams. I was instantly drawn to Tommy. It’s almost like we were made for each other.”

James Franco wears a Balenciaga shirt; his own pants.

Photographs by Juergen Teller; Styled by Edward Enninful

“To play Molly Bloom, I thought about what women have to become in order to find power in a society where men are making all of the rules. I was like, ‘Oh, my gosh—the Kardashians are an incredible example of women who have their own sense of entrepreneurial power.’ And in real life, Molly looked a lot like them. For research, I actually watched Kim’s tutorial on face shading and contouring. As the movie goes on, Molly transforms into this idea of what a woman has to be in order to be heard: The heels get higher, the necklines are lower, the hair is longer. It was quite a departure for me, physically. And the strange thing is, I don’t look like myself at all in this film, and so many people have said to me that I’ve never looked better.”

Jessica Chastain wears an Oscar de la Renta dress; Sophie Buhai earrings.

Photographs by Juergen Teller; Styled by Edward Enninful

“Until I read the script for Lady Bird, I had never encountered a female heroine who very much sees herself as a female heroine. In films, you rarely see young girls who love themselves. Lady Bird takes the self-confidence thing to a new level. She knows she’s going to be someone. And she has something to say, even if she doesn’t quite know what it is yet.”

Saoirse Ronan wears a Chanel dress.

Photographs by Juergen Teller; Styled by Edward Enninful

Did you have an audition outfit back when you were starting out? I had multiple outfits. Much like a costume box. I would change between auditions. I remember changing in the car on the freeway. I’m still a fast changer. And discreet. I have a talent for taking my clothes off quickly.

What was your first favorite film? The Sound of Music. It was very influential. And I got to meet Captain von Trapp while filming All the Money in the World [Christopher Plummer replaced Kevin Spacey after Spacey was pulled from the project]. We were about to be in this movie together, and I thought, How soon is too soon to ask Christopher Plummer to sing “Edelweiss” into my phone for my daughter?

Michelle Williams wears a Louis Vuitton dress.

Photographs by Juergen Teller; Styled by Edward Enninful

“I play real people a lot. And it is a huge responsibility. Anytime you are playing somebody who was alive, for good or for bad, that performance becomes a version of an official record of what happened: what motivated them, what obstacles they faced, and how they got through their particular struggle. There’s a degree of leeway that you can allow yourself as long as you’re not turning good guys into bad guys, or knowledge into ignorance. Having said that, it’s a little easier playing someone who’s no longer living. Because then you don’t have to meet them.”

Tom Hanks wears a Tom Ford suit, vest, and shoes; Boss shirt; Rolex watch.

Photographs by Juergen Teller; Styled by Edward Enninful

“I had a successful soap opera career in Mexico, but I left my fame and my comfort and I moved to Los Angeles because I wanted to make films. I was very, very famous in Mexico, and in the States I was working as an extra. People thought maybe I was running from the police. Why else would I leave everything I had to play a maid? I told them, ‘This industry is going to change. We are too strong of an economic force to be ignored forever.’”

Salma Hayek wears a Saint Laurent by Anthony Vaccarello dress; Cartier earrings.

Photographs by Juergen Teller; Styled by Edward Enninful

“I was loosely attached to Call Me by Your Name for four years. It never seemed like it was coming together, and then it did. Now I’ve spent nearly two years promoting it. So, in many ways, it will be the project of my youth. When I’m older, I’ll look at this film and remember what it was like to not be jaded, old, and washed up. I’ll look back and say, ‘Oh, when I was young…’”

Timothée Chalamet wears a Sandro jacket and pants; Schiesser tank top; Sermoneta Gloves gloves; Calvin Klein 205W39NYC boots.

“My first kiss was at a party, when I was 12 or 13, during my first term at a coed school, so, you know, hormones were raging. A girl named Dora had this party when her parents were out of town, and it was literally a bacchanalia for 13-year-olds. No one was having sex, but it was just like, ‘Oh, we all get to kiss each other.’ And there were around 200 people there. It was about five hours of everyone going, ‘Have we made out yet? No? Let’s go!’ To this day, my friends and I will be in a pub or at dinner and say, ‘Remember Dora’s party?’ and sigh. It was an awakening.”

Andrew Garfield wears a Shrimps coat; Michael Kors sweater; Sunspel sweatpants.

Photographs by Juergen Teller; Styled by Edward Enninful
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